#1409 theoldmortuary ponders

In the 1990’s I was a busy working mother of two, wishing that Plymouth was more like Brighton.

My Brighton life was mostly carefree. Plymouth was the settling of my new life,consolidating being a parent and doing a job that I didn’t care for to make parenting easier. The comparison was not kind to either city. In the 90’s two bands in particular kept me sane . The Verve, all dirgy, and melancholic and Daft Punk, Electronic Dance music with something extra

Plymouth was represented by the Verve.

Brighton got Daft Punk.

I love them both but Verve love is hollowed out . Daft Punk the love of escapism.

With tthe distance of time I can see that both loves have equal merit as do both cities

Which is a long preamble to natter  about a contemporay ballet I was intoxicated by last night.

Body and Soul by The English National Ballet.

Source: BalletcoForum https://share.google/tSHdWk7W0gCG1ra6s

Two distinctly different choreographed ballets that might seem, and were unconnected . Maybe a pairing not for anyone but to me they made perfect sense. Both hugely expressive pieces using gorgeous, perfect human bodies to unfold a story or a feeling. The music of Part 1 was not at all Verve like but Androgynous dancers performing such mind blowing emotion took me to that hollowed out place that I felt as a newish parent in a strange place. I had no care for the gender of the dancers, just mesmerised by the places they were taking my head too. There should be more words for erotica and sensual.

Or maybe completely new words that describe sublime pleasure of being cocooned in the moment of contemplation by writhing human bodies who are just there to make you think, nothing sexual or intimate. Just thoughts.

Part two was so much closer to my 90’s Daft Punk vibe and similarly thought provoking. It was by its nature, bawdier,closer perhaps to sensual and erotic. With May Day vibes of flesh and lust sanitised by white drone like and sexless creatures. Just there doing their thing  perfectly and simply to make us think.

Not knowing or caring what gender any individual dancer was, allowed for a huge amount of buttock envy. My goodness those dancers had the most amazing bottoms.

My head was quite properly blown. All that gorgeously stimulated thinking and some absolutely peachy bottoms. What a night out.

https://www.theguardian.com/stage/2026/mar/20/english-national-ballet-body-soul-review-sadlers-wells-london-kameron-n-saunders-proper-conduct-crystal-pite?CMP=Share_AndroidApp_Other

I am still thinking about it. Wondering at the ability to have my head completely taken over by movement and music. Loving the hollowed outness and the escapism in equal measure.

If only we could have two new words to express the joy of being made to think unexpected thoughts in a theatre by honed and expressive bodies.

#529 theoldmortuary ponders

A blast from the past.

I’m not sure when I last had an actual ticket for anything. Yesterday was no different. We were off to the ballet with an E ticket but we were directed to the box office to collect an actual ticket.

https://www.theguardian.com/stage/2022/oct/02/peaky-blinders-the-redemption-of-thomas-shelby-rambert-birmingham-hippodrome-review

We were off for an afternoon of Contemporary Ballet. With seats as close to the stage as possible. One of the great pleasures of ballet is seeing fit health bodies working at peak performance. We didn’t bother to read reviews, I am pleased about that, as the review above was hardly glowing. My experience was completely different. Peaky Blinders by the Rambert company on a Saturday afternoon, on the first day of April,was a blast of dark energy that will keep me smiling and thinking for weeks.Something almost Pagan, using up the dark forces of winter to leave a blank canvas for Spring. Link below to video.

I was an avid viewer of the TV series and can perfectly see why someone would think the theme and storyline could be translated into Contemporary Dance. I don’t believe it was at all necessary to have seen TV ‘s Peaky Blinders to enjoy Ramberts Peaky Blinders.

I am beginning to wonder if my enjoyment of Contemporary Ballet has completely trumped Classical Ballet.

Just before the Covid years I went to a classical ballet that was in a modern setting. I had no idea of the storyline and was happy to let the dance tell me the story. I broke all my own rules in the interval. Googling fiercely to try and make sense of what I had just seen. I read a synopsis and reviews and along with my gin and tonic I returned for the second half enlightened and encouraged. Enlightenment did not do the trick, the second half was as bleakly opaque as the first. Enlightenment created tiny chunks of understanding but I came away baffled and bemused. I realised I had not for one moment enjoyed the physicality of the dance, not once appreciated peak of perfection musculature.

As someone who studied ballet for 7 years and decidedly believed, for a while, that a five foot four inches, dumpy girl might one day be the Sugar Plum Fairy. I am a little sad that Classical Ballet is losing its allure for me but there is only so much ballet time in a normal humans life. Contemporary is the way to go for me.

©Rambert Dance