A Year to cross a bridge.

A little over a year ago I crossed this bridge physically and metaphorically. After a 42 year career in the NHS I left to embark on an artistic and creative phase of my life. Behind you as you look at this picture is St Paul’s Cathedral and behind that is BartsHeartCentre. This bridge was part of my route home after a days work or an on call shift at Barts. The views from this bridge are wonderful, restorative and uplifting. Sometimes they needed to be.

One year on is a good time to reflect. Leaving a career I had nurtured for 42 years was a hard decision, but it had become an uncomfortable fit that I was no longer prepared to compromise my creative drive for. I had painted and created as relaxation since leaving school and even with limited time had had some success exhibiting and selling work. I studied part-time for a degree in Fine Art, fitting in five years of study with raising a family and building a career.

Having crossed the bridge forever, deliberately giving up my professional registration, the way forward was art rather than arteries and creativity rather than cardiac arrests.

The first thing I noticed was the incredible amount of headspace that appears when you no longer work 40 hour weeks. It took a little longer to feel fitter and younger. What surprised me was that limitless time to be creative doesn’t actually make for super creativity . It doesn’t actually get any easier to render an image onto a canvas , there is more time to make mistakes and prevaricate and definitely more time to tidy the studio or buy materials. Mistakes are the big thing, I love them now, previously they were mind numbing irritants, coming between me and my next great composition . Paint on canvas might not, in the past, have occurred again for weeks but now that’s not the case. So mistakes are my new big thing, new materials, quirky pairings ( Concrete and silk is my current vibe) Realising I couldn’t just flit about making extravagant mistakes I built some pressures into life. I’ve been learning the writing style to create useful art/cultural event reviews, 600 words, for publication. I’ve also learnt to utilise social media to publicise gallery and other art related events.

In many ways this brings my year of crossing the bridge to a conclusion. Unexpectedly a small piece of my work was included in a TateLates exhibition. Ironically it was a piece created when the pressures of my previous life on the north bank of the Thames were very great. Who knows where the mistakes, headspace and time will lead me.06200347-50CE-4F56-8247-77CE3A7B3BCF

 

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