Sewing Bee

This is the year of refreshing old skills. Sewing , like watercolour has been long abandoned. My mum was a brilliant seamstress and made fantastic clothes and costumes throughout the sixties and seventies. I learnt loads from her but never really used the skills and ended up just about competent to turn a hem. In time her wonderful, but heavy, 70’s Brother machine, found its way to the tip. A couple of years ago my ex- husband bought me a lightweight, new Brother. Nothing like as swanky as the old one, but how much tech do you need to turn up hems?

Sewing Bee came on the TV, originally, when I was still working stupid hours in London, then early this year it was announced that it would return in the late winter after a gap of a couple of years. No longer having erratic hours and on-call as an excuse, I enrolled on a sewing course to gain some Sewing Bee chutzpah.

https://www.makeat140.co.uk/ is a gorgeous fabric and sewing stuff store at the Royal William Yard. Lizzie Evans the happiest of haberdashers, ran a successful business from an old mortuary in the Barbican area of Plymouth. Old Mortuaries are a bit of a thing around here, there’s us, Lizzies previous incarnation, a bakery and a bar running in old mortuaries locally. Anyway I digress.

Links to other old mortuary businesses in Plymouth

https://www.theoldmorgue.co.uk/

https://columnbakehouse.org/

Make at 140 moved to its new location recently and now has the fabulous spaces at Ocean Studios in which Lizzie can run her courses.

I did the beginners course. Our course was taught by Jackie, an enthusiastic teacher with five years experience of home sewing. My group of novices were a group of women ranging in sizes and ages. We were all pretty focussed on producing the two items being created during our five week course. The first, a tote bag, taught us basic pattern use and sewing machine skills. The first class also covered the anatomy and physiology of a sewing machine and the tools needed for a basic sewing kit.After the Tote bag we quickly progressed onto making an actual garment. We were really well supported by Jackie, who is endlessly patient and encouraging. Lizzie was also there every Tuesday , sometimes supporting other groups or classes but always there to make half time beverages, comestibles and to share her sewing wisdom. At the end of week five I had a strong and useful tote bag and a top that actually fitted me.

There are loads of follow-on courses to join but I decided to take some time out and make some mistakes at home before returning for advanced stuff later in the year.

First up in my mistake plan list was a Merchant and Mills pattern, euphemistically called 101 Trousers. 101, has come to represent basic, simple or easy, but my take on 101 has always been more about George Orwell’s torture chamber in his novel 1984. As it turns out the trousers straddled these two meanings rather effectively. My big error was buying a fabric that was the same on both sides. Hannah my partner chose a lovely botanical fabric with a plain reverse side, she had a much easier time of it. My choice gave me ample experience using an unpicker.

On reflection the pattern probably was foolproof but we just took foolish to higher levels than it could accommodate. Eventually after using a months supply of the f**k word, copious tea and YouTube gazing we produced two lovely pairs of trousers, with pockets, that we will wear with pride in full daylight amongst people we know. That is high praise because we are a fussy pair.

https://merchantandmills.com/

I’m already planning my next garment on the mistake plan. I’m confident that my new found basic/ beginners skills will ease me towards less mistakes and more confident seamstressing and then on to the next course at Make at 140. For everything else there is YouTube .

Home made pattern weight using recycled fabric swatches and ribbon from Christmas gifts.

https://www.professorpincushion.com/

Preposterous – a review

A lot has happened in the last 6 months. A sentence that explains and excuses the hiatus in my blogging. The thing I have been able to stick with, in that time, is my lessons in the dark-art of water colour painting. Apart from holiday dabbling there have been forty years between my serious attempts at watercolour. In those years there has been sculpture, pottery, land art, oils, acrylics, palimpsest and collage.

Fish from Plymouth’s historic market. http://www.plymouthmarket.co.uk unfinished

Inevitably, I’ve had to buy some supplies and this is where the preposterous comes in because , with only six months experience,I’m going to review the products I’ve been using. I’m a bit of an abuser of watercolours, I do have brushes and I’m desperate to learn all the traditional watercolour techniques but I also apply the paints with all sorts of non- standard devices including twigs, feathers, sticks, sponges and fingers.I have a fabulous teacher in Shari Hills and my fellow students have years of painting experience. My ears stretch in all directions to gather the wisdom they casually drop while creating mistresspieces, masterpieces and vicarpieces ( an extraordinary number of watercolourists have God’s number on speed dial )

My suppliers are mostly independents. The one exception to that is a brand that bombards me on Facebook.

http://www.theartside.co.uk/

https://www.cornelissen.com/

https://www.jacksonsart.com/

https://www.isaro.be

https://arteza.co.uk

https://www.docmartins.com/

My products of choice are Isaro Watercolours. Handmade in Belgium by Isabelle Roeloffs a colourwoman with generations of experience. Her story can be found on the Isaro link above. I buy them direct from her or from Jackson’s art supplies.

Dr PH Martin’s Hydrus Fine Art liquid watercolour. I can order these at Plymouth’s fabulous art supplier The Artside or from Jackson’s on-line or their own site, link above.

The last of my trio is Arteza watercolour pens, bought direct from Arteza via Facebook.

Any papers, sketchbooks, putty rubbers etc come from The Artside. They also provide a great printing service.

Let’s start with the actual watercolours by Isaro. I love these paints, partly I admit, because of the romance of their production but also because they perform beautifully when used traditionally. What blows me away is that they are robust enough to use with unusual applications. Let’s not pretend these are as tough as acrylics but they go from subtle to vivid with ease . Wet on wet can be magical especially with unusual colour pairings.They respond superbly to the watercolourists guilty secrets, cling film and bubble wrap. The special effects can be subtle and vivid within millimetres of one another.

Talking VIVID as we were moments ago Dr P H Martins Hydrus watercolour is the go-to for pop and glaze. I loved the effects I got with it when I painted the views of the walk home from a hard nights on-call at BartsHeartCentre.

After On-call https://www.bartshealth.nhs.uk/cardiovascular

I use Dr PH Martin’s when I’m a bit timid about saving a painting when it is heading in the muddy direction. A quick layer of Hydrus can make a painting sing, and get me back on track.

MUDDY leads me nicely to the woe that is the lot of a novice watercolourist . Watercolours can go from manageable to mud in an instant. I’ve found that when I hit the mud zone a quick swap to the Arteza Watercolour Pens can resolve the problem. Not every time, of course, muddy can quickly slip into a quagmire and for those occasions only a bin will do. I have not yet used them exclusively for a painting

Fabulous paints are one part of the story, skill and technique are the things that need to be honed now. I’ve had some lucky breaks but fruits that look like a fanny and a sheep that could be a rockstar are moments to reflect on. Loose is the word most often bandied about in watercolour classes. By taking a slightly mixed format approach I think I would use the word serendipity alongside the ‘L’ word. I love to watch these slightly different watercolour formats jostle with each other on the paper. Sometimes they do half the creative work for me.

Figs from Plymouth’s historic market http://www.plymouthmarket.co.uk/

Rockstar sheep https://greyface-dartmoor.org.uk/

And finally an old school friend , Fred, we knew each other years ago when I was first taking tentative steps into watercolours. Social media keeps us in touch, I painted this from a photo on his Facebook page, this portrait is the first I have attempted since my delayed return to the medium. this was painted just using Isaro watercolour in Sepia.

Drawn to the Valley, Drawn to London. Artists of the Tamar Valley.

As someone who has spent their entire adult life actually being drawn to the Valley and then drawn to London, on repeat, and loving both equally, this was always going to be a ‘ not to be missed’ exhibition. The Valley in question is the Tamar Valley, the natural border between Devon and Cornwall. Beautiful, spectacular and largely undiscovered this vivid corner of England is home and sometimes muse to a vibrant gathering of artists. Some of whom belong to the collaborative group Drawn To The Valley.

The group has over 160 members, thirty-five of the artists have brought their work to Pall Mall.

The exhibition which runs from 22-27th October at The Royal Opera Arcade Gallery is an eclectic mix of art, some very representational of the area from which the group hails and some inspired by world travels or fantastic imaginations. This exhibition has something for everyone. West Country expats will love seeing familiar landscapes rendered in so many different ways, while those who are quite unfamiliar with the area will be exposed to its charms by the skill of artists who really love the place they call home. Not all the art here is representational, there are some amazing abstracts and 3D pieces. London and other world locations have also inspired this talented group of artists. Some pieces are pure creativity and inspiration.

Invigilators or gallery assistants can be a huge part of setting the tone of an exhibition. It’s not an easy job to gauge how much interaction gallery visitors want. Drawn to London benefits from having the artists themselves as invigilators. During my visit everyone was warmly welcomed and conversation about the art flowed freely and enthusiastically.

The ‘Hang’ at this exhibition, which covers three floors, is whimsical. Not unlike the Royal Academy Summer Show. Works that look good together, hang together. Maybe this style is not for everyone but I think it adds to the really happy feel of this exhibition.

I hope I can get back for another mooch around, I can’t recommend this refreshing exhibition too highly. If you have a blank wall there is almost certainly something here that would fill it nicely.

www.jeannineallen.co.uk

www.nickybeaumont.co.uk

www.janet-brady.com

www.jenbradleydesigns.wixsite.com

www.martinbush.co.uk

www.martinclarkart.com

www.dartmoorlandscapes.com

www.monachorumgallery.co.uk

www.melanieguy.com

www.artgallerysw.co.uk

www.pippahowes.com

www.tessajane.co.uk

www.clarelaw.co.uk

www.nsltextileart.co.uk

www.mawdsley.co.uk

www.jillianmorris.co.uk

www.clarknicolart.co.uk

www.karennicoltextileart.ipage.com

www.sallyoneillartist.co.uk

www.glenrockstudio.co.uk

www.ianpurvisart.com

www.charlottesainsbury.co.uk

www.angelasmithsart.com

www.katystonemanart.co.uk

www.saatchiart.com for Marianne Sturtridge

www.callingtonartschool.com for Tessa Sulston

www.riichardsunderlandart.com

www.tinatianart.com

www.markwigginsart.com

www.annette-wrathmell.co.uk

www.simonyoungart.com

www.drawntothevalley.co.uk

Glut

I love the word glut, even though it’s harsh and ugly in sound and shape, it reminds me of the fecundity of autumn, lush and abundant with harvested produce.

It’s meaning is an excessively abundant supply or to satisfy fully.

The last weekend of September in Plymouth had an outrageous glut of arts and culture. Three different arts organisations included this weekend in their programmes.

Drawn to the Valley , straddles the area adjacent to the Tamar Valley. Predominantly featuring ‘Open Studios’ the work of just under 100 artists was available for 8 days, finishing on this weekend.

Plymouth Art Weekender also has some open studios , but it also features performance art, sound art and interactional art experiences over 63 venues all over the city. Events started on Friday evening and carried on until Sunday afternoon.

The Atlantic Project is three weeks of an International Festival of contemporary art starting on this weekend with sites both indoors and outdoors across Plymouth.

www.drawntothevalley.co.uk

plymouthartweekender.com

www.theatlantic.org

With so much to do and so little time to do it in the weekend passed quickly. Flashes of recycled plastics in a green and white funeral-like procession with discordant music. More discordant music and watery sounds. Amazing enthusiastic people doing their thing everywhere. It was a brilliant weekend. I could list the stuff I saw but that would be very dull. I’m going to write about three artists, one from each organisation. They happen to all be women but that’s a coincidence . I also saw some amazing work from men.

Drawn to the Valley- Jill Coughman Open Studio.

Jill was one of my art lecturers , she is inspirational. I’m drawn to her work even when I don’t know that she is the artist. Much of Jill’s work is autobiographical, it is emotional and evocative of both herself and her environment. Even tough subjects feel safe to explore through Jill’s response to them. I bought a print of Dockyard Blues. I love it.

Plymouth Art Weekender- Juliet Middleton- Batts

Juliet invited me to visit her group exhibition ‘Work In Process’

The group comprises both graduate and post graduate students from Plymouth University.

Juliet’s work was stunning. Her title Heroes gave no hint of the works definitive topic but a bike outside embellished with flowers and ribbons in the colours of the Women’s Suffrage Movement was a not so subtle hint. Inside her installation, 100 discs laser etched with the names of imprisoned suffragettes hung on fine thread . The discs represented the medals awarded to all of these women who had endured participation in Hunger Strikes.Illuminated, they cast typography shadows on the walls or flashed a quick bright reflection into the viewers eye. It was mesmerising to look for familiar names but also intriguing to catch the names of people not so well known. The small scale of the Perspex discs massed together as an installation were a fabulous representation of the power of combined and cohesive effort.

The Atlantic Project – Chang Jia

Chang’s work was the only one that made good use of the phenomenal setting that is the Melville Building at Royal William Yard. The other works in this building made no use of the industrial sized epic architecture. Such a shame for them . It would have been amazing to see work projected onto those beautiful walls. Thankfully Heavenly, Corrupted Landscapes has the scale and impact to drag my eyes away from the internal architecture . Her massive canvases owned the space. Referencing traditional Chinese landscapes from the Ming Dynasty the image is created using microscopic photography of the bacteria that is polluting four rivers in South Korea.

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The Atlantic Project runs until 21 st October.

Art events like the three mentioned are not all about planning. Serendipity and missing things is also part of the experience.

I missed meeting Nikki Taylor www.nickitaylorscupture.co.uk . I’ve loved her mesh sculptures since seeing them in London and was thrilled to find out she works from a studio in Plymouth. When I popped into her studio she was knee deep in great conversations , so actually I got no closer to talking about her work than I ever have in London.

It’s always good to run into people unexpectedly, and really great when you can connect people from different parts of life.

I met a Fine Art PhD artist who was studying the seaweed of Devils Point. www.duncantheartist.tumblr.com that’s pretty specialised stuff but coincidentally I have another friend whose Biology PhD covered the exact same topic. Surreal things happen, in a good way,when you talk to strangers at art exhibitions. Apologies to Duncan, every photo I took chopped your head off.

To make amends for chopping off a head I will finish with some serendipity. a head from Nikki Taylor superimposed over a mural.I love this image of a mesh head in front of a mural by www.loci-collective.weebly.com

So there we are, a seasonal glut of art and culture. All showcased in great venues surrounded by beautiful scenery and radiant sunshine. Summer slipping into autumn with a huge creative Boom!

Plymouth Bloggers- an evening out

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Being a Thursday child I’ve been about a bit. However for nearly thirty years Plymouth has been my nearest City and the area that I return to even after long sojourns. My relationship with the city is mixed, initially I was a little ashamed to say I came from Plymouth. My reasons were complex then but I’ve grown to love the city and really want the best for it. Aditya Chakrabortty wrote a brilliant piece in The Guardian, recently,that reflects where the city is at right now.

https://www.theguardian.com/commentisfree/2018/apr/11/post-industrial-plymouth-business-social-enterprise?CMP=share_btn_link

A group of Bloggers were invited to the Crowne Plaza in Plymouth to meet with some of the people and organisations who are keen to promote Plymouth and its increasingly vibrant cultural and creative life.

If anyone is in any doubt that Plymouth is on the up then curiously the Crowne Plaza is a good place to start.

Big organisations are wise when investing large chunks of money, they do their research. Crowne Plaza has invested 5 million pounds in reimagining the old Holiday Inn. It is a remarkable transformation. 30 years ago my very first night in Plymouth was spent there, the only thing that lifted my heart at the time was the view from the room hosting the breakfast buffet. That same room is now the latest iteration of the Marco Pierre White group of restaurants. Beautiful, louche, photographs of the eponymous chef fill the entrance.

Once inside the place is so stylish and glossy with those amazing views it’s hard to think that you are in Plymouth rather than a world renowned iconic city. (Iconic City is of course exactly what Plymouth wants to be) Anyway I digress. My point is that Crowne Plaza have invested in their Plymouth Hotel because they believe that Plymouth is going to become pretty amazing.

The Bloggers event was held in one of the meeting rooms. In common with the whole interior of the Hotel the room had some pretty interesting artwork. Inky Blue is the signature colour of this hotel.

Usually when Plymouth Bloggers meet we eat and talk, last night there was talking to be followed by cocktails and canapés. Luckily the quality of the talking took our minds off this unusual turn of events. Sally from Onshore Media introduced us to the movers and shakers of the Plymouth P R machine. I imagine there is no such thing as an effective, yet lack lustre PR, I was impressed that Plymouth has such engaging and dynamic representatives , vividly explaining where this, somewhat overlooked, Port goes next.The point of this initial meeting was to explore where blogging and PR merge and how they can be mutually supportive. I find this whole thing really interesting, finding things in Plymouth that fit naturally into the general theme of my blog will be fascinating.

www.visitplymouth.co.uk

www.crowneplaza.com/plymouthuk

www.mpwrestaurants.co.uk

https:madeinplymouth.org/

www.weareonshore.com

Cocktails and canapés, beautiful views of a great city, nothing more needs to be said.

Thanks to Lauren Rogers from Crowne Plaza for hosting, the bar has been raised for future meetings.

Creative Port- Linda Winter talks to theoldmortuary

theoldmortuary is a place where artists and creative people come to talk. Creative Port is a series of conversations with artists and makers who have a connection with Plymouth, Devon, UK. Plymouth, the Ocean City, is a creative city of arrivals, departures and settlers.

Linda Winter is a regular at all three. She will be exhibiting at Bens Farm Shop, Yealmpton soon.

Coming from a family of creatives, it would have been easy for Linda to become a painter. Creativity is in her blood, descended from an East End tailor, her mother was a woman compelled to make the intricate and fabulous, if not always useful, fabric creations. Her brothers are Art School trained and successful. Christopher Stevens is a painter of note and Head of Painting at Brighton School of Art. William teaches art in Bristol. However, and perhaps perversely, Linda avoided the art school route, her work is solely the product of her innate ability. Sibling rivalry may have made her pick up a paintbrush initially but it did not lead her along a traditional route.

Linda had an uneventful education and then ran away to Cornwall and had a family. Her rebellion was short lived. Three young children, little money and a house on the edge of Bodmin Moor meant that she was thrown back on old painterly habits to keep her sane.

Using Gouache on Arches paper, she painted large vibrant semi abstract boats that quickly became her signature style. Selling though the Barbican Gallery in Plymouth helped to establish herself as an artist. In Plymouth in the 1980’s and 1990’s, being a female artist was a struggle. So, in spite of having numerous one woman shows, Linda went to University to learn how to teach. Again the rebel surfaced, instead of studying art, she studied Psychology and is now teaching Psychology in London, but she still comes home to the sea most weekends and holidays.

One eventful afternoon with only a small canvas to hand, she noticed some beetroot on her kitchen table that had been purchased the day before, (She paints in her kitchen). The leaves were beginning to wilt in the sunlight. The purple of the bulbs vibrant against their fading glory. She picked up her brushes and an idea was born. Although a classic still life subject, fruit and veg were not an obvious choice for an artist as vivid as Linda. The Fruit&Vegetable Series however made a serendipitous connection when Linda had a chance meeting with the Management from Ben’s Farm shop in Yealmpton (where the Beetroot came from). A unique exhibition will be held in the newly extended eating space at Bens, featuring paintings of her naked organic vegetables. The exhibition is special, following a conversation over coffee about the difficulties some families have in affording quality food, it has been decided that the commission, 20%, of each painting sold will go to the Trussell Trust and Plymouth food bank. Organisations’ that Ben’s already support. In addition, Ben’s will also donate a proportion of the afternoons takings from Food and Drink sales. Unconventionally, the opening, at 3pm will be a family event with kids painting, burgers, the paintings and Linda telling her story. Regular adults not accompanied by children are also very welcome. The fruit and veg show opens at Ben’s farm shop on the first weekend of June.

A Year to cross a bridge.

A little over a year ago I crossed this bridge physically and metaphorically. After a 42 year career in the NHS I left to embark on an artistic and creative phase of my life. Straight ahead, in this picture, is St Paul’s Cathedral and behind that BartsHeartCentre. This bridge was part of my route home after a days work or an on call shift at Barts. The views from this bridge are wonderful, restorative and uplifting. Sometimes they needed to be.

One year on is a good time to reflect. Leaving a career I had nurtured for 42 years was a hard decision, but it had become an uncomfortable fit that I was no longer prepared to compromise my creative drive for. I had painted and created as relaxation since leaving school and even with limited time had had some success exhibiting and selling work. I studied part-time for a degree in Fine Art, fitting in five years of study with raising a family and building a career.

Having crossed the bridge forever, deliberately giving up my professional registration, the way forward was art rather than arteries and creativity rather than cardiac arrests.

The first thing I noticed was the incredible amount of headspace that appears when you no longer work 40 hour weeks. It took a little longer to feel fitter and younger. What surprised me was that limitless time to be creative doesn’t actually make for super creativity . It doesn’t actually get any easier to render an image onto a canvas , there is more time to make mistakes and prevaricate and definitely more time to tidy the studio or buy materials. Mistakes are the big thing, I love them now, previously they were mind numbing irritants, coming between me and my next great composition . Paint on canvas might not, in the past, have occurred again for weeks but now that’s not the case. So mistakes are my new big thing, new materials, quirky pairings ( Concrete and silk is my current vibe) Realising I couldn’t just flit about making extravagant mistakes I built some pressures into life. I’ve been learning the writing style to create useful art/cultural event reviews, 600 words, for publication. I’ve also learnt to utilise social media to publicise gallery and other art related events.

In many ways this brings my year of crossing the bridge to a conclusion. Unexpectedly a small piece of my work was included in a TateLates exhibition. Ironically it was a piece created when the pressures of my previous life on the north bank of the Thames were very great. Who knows where the mistakes, headspace and time will lead me.06200347-50CE-4F56-8247-77CE3A7B3BCF

 

Festive Wreathing written for Made in Plymouth

Festive Wreaths with Miranda Hackett Flowers

By Juliet Cornell

Miranda Hackett Flowers

Day courses are a fantastic way to get a taste of a new creative interest. A good course is one that builds on the initial interest and gives attendees the opportunity to take home a competently produced finished product. The very best, enable you to not only create something lovely on the day, but also equips you with the skills to reproduce beautiful items in your own home, building and developing a new talent with confidence.

Festive wreath making with Miranda Hackett is definitely the latter of those options. Meeting Miranda is like meeting a force of nature; creativity and confidence crackle in the air as she talks about her passion for Artisanal Floristry. She moved to the South West from Berkshire a year ago and brought her creative floristry business with her. With a portfolio of London and Home Counties commissions, she has also spent three years creating floral beauty in Slovakia, the universal Latin language of flowers helped enormously with the inevitable language difficulties.

Miranda has already done a turn at The Makers Table at Ocean Studios and loves the beautiful, historic buildings and the fantastic creative buzz the Ocean Studios generates. On 8th December she will return to Ocean to teach Festive Wreathing, this time in the light filled Making Spaces; rooms designed specifically for creative courses.

Miranda Hackett Flowers

Miranda Hackett Flowers

What I personally loved about Miranda’s attitude to floristry was her adaptive approach. She was as enthusiastic about foraging for materials as she was about producing large, highly prestigious commissions. Enthusiasm for her craft just bubbles out of every conversation.

Miranda’s style is loose and flowing, organic in development with seasonality in the locally produced blooms and foliage at the heart of her creations. In her new home here in Devon she now has the space to develop her own nursery to grow native blooms for her future work. Since her arrival in the west country, she has developed a great working relationship with many local producers and growers and has found suppliers from Devon and Cornwall far more open, flexible and innovative in business dealings than she has previously experienced – a little of the west country friendliness we’re so famous for.

If you need any more convincing then last years Festive Wreathing course was held at Heston Blumenthal’s Michelin Starred Restaurant in Bray and a review from that event says everything.

“ I just wanted to say a big thank you for the superb wreath making…it was a wonderfully inspiring day, your ideas were incredible and the quality of your greenery and products were really top class. It was so enjoyable to be in your workshop with like-minded people. Your instruction was so good, I will be enrolling again on your next course”

Booking for the upcoming Ocean Studio event can be made direct with Miranda via her website or by telephoning 07789553921, the workshop cost is £55 and runs from 10.30am.

If the 8th December doesn’t suit but you’re eager to get your hands on a little of Miranda’s enthusiasm then there are two more workshops before Christmas held at The Oyster Shack, Bigbury on Wed 6th and Saturday 9th December, again starting at 10:30am, the course fee of £90 includes a two course lunch and a glass of wine. Booking for these two dates is via The Oyster Shack 01548 810876 bigbury@oystershack.co.uk.

Plymouth Literature Festival 2017

JB Barrington at the Hutong Cafe

Plymouth has an established and vibrant Performance Poetry culture. For Plymouth Literature Festival 17 there is a new venue on the block. The Hutong Cafe, which opened earlier this year, is building a reputation as an intimate location for evening events. Saturday saw the arrival of JB Barrington, a performance poet from Salford, a particularly interesting area of Manchester, he was supported by two local poets and a surprise extra poet from Hull.

The evening kicked off with Antonia Raine, a local poet who flipped misogyny on its head, shining wit and humour on the cliched comments and behaviours of some men that really piss women off. She was followed by another local wordsmith, Andy Blackwell who weaved local and carnal knowledge into brilliant and narrative poems, told in a range of accents that were superbly accurate.

The surprise extra of the evening was Jim Higo, a poet/ comedian from Hull, as a salve to the pride of Plymouth which lost the chance of being City of Culture to Hull he suggested that the only perceptible change in his City, now it is cultured, is that there has been an increase in the street price of heroin. Jim’s set was lively and left me an earworm that was hard to shake. His rant “ I Hate a Floating Voter” was a polemic, and although I didn’t completely agree with it, I was hooked by his performance. His incomplete Ice House Road, a tale of prostitution, left me wanting more and the poem about a lonely aged boxer cadging drinks in the pubs of Hull was unexpectedly moving. He told us that his mum thought that a Plymouth audience wouldn’t ‘get’ him when he told her where he was performing. She was wrong, the audience at Hutong definitely ‘got’ him, his tales of deprivation and humour struck a local nerve.

Wearing a brown Mac and clutching a carrier bag of stuff, the main man, JB Barrington wandered to the front of the room for the third part of the evening. He cut a stylish figure with steel grey hair and modish good looks. The previous night he had performed at the 02 at Sheffield with the Sleaford Mods, and tonight 50 lucky people at Hutong had a much closer encounter.
JB is from Salford, an award winning performance poet known for his satirical, lyrical, ‘working class’ poetry. His poems feature dole and debt, dockers and unions, proud men, strong women and the love, fun, misery and fragility of normal life where he comes from. His mum is a huge source of inspiration. Things Me Mam Used to Say might be the words of a Salford woman but the motherly advice and discipline all seemed pretty relatable. Nostalgia conjured for humble icons like the Spanish dolls that resided in countless Council homes depicting the glamour of European travels long before Easy Jet. JB points out the obvious things that it’s all too easy to overlook and forget; yet these are the things of recent social history.

You Had Me, is the tale of an ex lover-note to many, never upset a poet you might become a performance! Truly I was lost for words, it was such a great evening. Not only because it featured poetry from a man who is such a high caliber performer – I don’t know why did he agree to perform in such a tiny venue a seven hour drive from his home but I am glad he did. JB Barrington came to Plymouth Literary Festival, he was brilliant and incidentally brought another wonderful poet with him and they were both ably supported by some seriously good local talent.