#1615 the old mortuary ponders

I learnt two new words this weekend. Chromophobia and Chromophilia . A fear of colour and a love of colour. I also went to an art exhibition called The Way We Live. This extraordinary soft sculpture was part of the exhibition.

This work is by Do Ho Suh, a Korean conceptualist who creates the homes or parts of the homes he has lived in. With sculptures created with paper or semi- transparent polyester.

Now I would always be considered a Chromophile. Colour is my thing. But this pale green and red hallway is an exact replica of my hallway at home. Never in a million years would I paint it pale green and bright red.

In my hallway I am a Chromophobe, the only bit of giddiness is glitterball.

Braver than us, we have neighbours who own one of my Mackerel paintings. They are going to pick out the colours of my Mackerel to decorate their hall, which is also identical to the soft sculpture by Do Ho Suh.

The hallway depicted in the sculpture was a home of mulitiple occupancy that Do Ho Suh shared in New York. Which really fascinates me. Around the world these staircases, although essentially the same and about 150 years old, must have so many different artistic and Interior Design differences.

A local favourite of mine is in an old nightclub. The building had been left empty and neglected for some time but is undergoing some much needed renovation and preservation. I photographed it when it had recently been released from the fate of becoming a mega church. At the time it was pretty smelly, damp, verminous and maybe a scintilla of urine. But the layers of paint and general shabbiness were accidentally beautiful.

Of course had I known all those years ago that I would be writing this I would have included the handrail.

I was last in the building in the summer, this was a back stairway and is now closed off as an unsafe area. At the time I visited previously it looked like the scene of many an illicit historic rendezvous or hook up during the buildings Night Club years. The stories these stairs could tell…

One last ponder on my own Chromophobic staircase. When our house was still a New Build. This is what the women of the house would have worn. What ever would they have made of the glitter ball.

Staircases, they make you think.

The Way we Live Exhibition is at The Box, Plymouth until the end of February

#1331 theoldmortuary ponders.

Our Autumn Equinox performed pretty well yesterday. Our 12 hours of daylight were sun-filled with just a hint of chill.

And if natural sun were not enough we popped along to Devonport Market Hall to see Helios an installation by Luke Jerram.Featuring a giant orb, representing the sun and an ambient soundtrack that represents many of the cultural, social and science impacts that the sun has on humanity around the world.

Bean bags and chairs are provided for static appreciation and the architecture of the Market Hall encourages  360 degree viewpoints.

I managed to get one of my complicated images. Which has half of my body balanced on a table and plugged into the mains via a socket extension. A dangerous position to be in, if it wasn’t just a trick of many lights.

12 hours filled with sunlight of different sorts. My final moment of sun worship was a little on the chilly side but worth the cold to spend time swimming towards the setting sun.

Helios is free to visit at the Market Hall, Devonport. Open daily until Sunday 28th September.

#829 theoldmortuary ponders.

9 years ago I was exhibiting at a private art gallery space. Brixton East, in Brixton. I was part of the hanging team and was lucky enough to be in the building before the artists delivered their work. The gallery was in a sympathetically restored furniture factory. For a blissful half hour it was just me and a young Hugo enjoying the texture of the old building.

All my favourite urban textures and contrasts were there, but also quirky placements of contemporary things.

And gentle reminders of the former use of the space. A poker-work chair seat pattern.

Borrowed light into a dark space.

Soon enough the space was full of the chatter of artists and later the art lovers poured in.

My painting in the gold spotlight. Momentarily I can say a proud moment. A fab moment in one of my favourite buildings.

But only a couple of years later I exhibited in the same space. I was not in the hanging team.  A classic contemporary artist joke occurred. My abstract art was hung upside down, the curator could not be persuaded to rehang it. Ordinarily I would not be too precious. Art being in the eye of the beholder and all that. But on this occasion, my art was painted on a door, the exhibition was about homelessness. The door handle would have been at knee level. A whole new level of artyfarty bollocks would have needed to be written to make that right. The art gods were not with me this second time in the building. One of my unframed pieces was stolen by a gallery/shoplifter. Everything is forgivable in a building that I love.

I am not normally someone that has frequent lottery winning fantasies but when the owner put this gorgeous space up for sale I would have done anything to be able to buy it. A lottery win would have been my only chance. But something lovely has happened. The building has been renamed and is now a beautiful wedding venue.

https://www.100barringtonroad.com/weddings24

Without pondering today I would never have researched and discovered that one of my favourite buildings has had a happy ending of its own. Without me winning the lottery. Something new to follow on Instagram. In a perfect @theoldmortuary world 100 Barrington would serve coffee and cake when not doing weddings, and in that imaginary world, a somewhat older Hugo would slouch under a chair and watch the world go by.

#677 theoldmortuary ponders.

I have been lucky enough to spend the last ten days working in an art gallery in converted military buildings. I love the quiet corners of these buildings. Today the building was humming with creative people and hundreds of visitors. Gentle exploration and determination found the corners I love, empty of people.

This is a no frills building and I love it for not having any softness.

These quiet pictures give not an inkling of the artistic and creative buzz that is resonating off its hard stone walls.

Gentrification has not occurred. The buildings have just been quietly repurposed. Peace where once wars were planned.

https://royalwilliamyard.com/?gclid=Cj0KCQjwusunBhCYARIsAFBsUP_J66pCGj6Aa-DSgNmaaTD7yTToGynx8FYJtux4YMbm8V0Q7l-UXyMaAvtREALw_wcB

Serendipity has its way. Joining Drawn to the Valley.

Serendipity plays such a part in life. I have serendipitously joined an art group local to me in the Tamar Valley. I’ve joined but I was not quite ready, obviously I applied to join but I had no expectation of being accepted so I hadn’t factored in my unavailability for various key events, or the fact that I was barely able to create any art in the critical early months of my membership.

The art group was not completely unknown to me. I reviewed their London show in an earlier blog.

Drawn to the Valley, Drawn to London. Artists of the Tamar Valley.

I had also often been to exhibitions over many years that were held in the Tamar Valley organised by the group

Joining a new art group is always a little tricksy. No two are the same and getting involved is the surest way of navigating your way in. A few months in I’m finally able to participate more fully. Here is a trio of my experiences so far.

The Summer Exhibition was a wonderful experience. For the first time ever the exhibition was curated in a new public space, Butchers Hall in Tavistock.

http://www.tavistock.gov.uk/

The Private View was fabulously busy, the venue was probably the star attraction for many but the art was not overshadowed. Visitor numbers were high and sales were impressive. As a new member I was thrilled to sell a piece. Anyone who buys a piece of original art at these events is more appreciated than they probably realise. A red dot 🔴 is guaranteed to make even the coolest artists perform back flips, mentally if not physically.

Open Studios is a fine arty tradition organised across the length and breadth of Britain. Artists open their studios ( obviously) but also their homes. Some group together and share a larger space. It’s a chance to grab a bargain for art lovers and a chance of a good clear out for artists.

I couldn’t participate because all my recent work is hanging at UltraCardiac, a cardiac ultrasound facility at The Science Park in Plymouth. Next year I will be better prepared, but for now I’m thrilled to have big white walls to show my pictures on. Grateful thanks to Sean and Sarah for their space.

https://www.ultracardiac.co.uk/

Not participating made it easier for me to get out and about to see other people’s work. There was a helpful guide book to assist people to locate artists around the Tamar Valley .

Drawing Day at Kelly House.

Once again the location was the star, that and the amazing hosts Sophia and Warin. Kelly house has been in the same family since 1100. About 15 artists were given freedom to sketch and draw both inside outside the house. There was also a room to gather in and chatter over drinks. I found a crumpled crown, previously used in a pageant in the 1930’s, and hunkered down for five hours of painting still life. A crime, I know, in such beautiful surroundings but it’s not every day that a crumpled crown presents itself to me.

https://kelly-house.co.uk/

I can’t say I’m the most sociable person when I’m painting but it was lovely to meet some other members over a cup of tea. I’m intrigued to see where Drawn to the Valley will take me.

Sunshine and Art

Plymouth Art Weekender Saturday was perked up , if perking were needed, by glorious weather.

The city was like a creative ice cream van offering choice and temptation in equal measure . Following the analogy, it was great to be able to sample so many different flavours of art. Not all were served in a way that encouraged me to prolong the experience but others were made for gluttony.

In the gluttony category was the ‘Open Studios’event at Ocean Studios. Architecturally pleasing, box-like studios, make the best of the original features of the Royal William Yard. The uniformity of the studios alters immediately you open a door and step into the creative space. I loved the art and skills I experienced there, more importantly every one of the artists or makers was engaging and interesting.

Elsewhere I experienced a vignette of a pretentious arty person. If this had been a comedy or theatrical festival I would have stayed and marvelled at the accuracy or wit of the performer. As it was it was easy to move on and enjoy the work of other artists more deserving of my time, that is the beauty of a diverse art event.

Today the Plymouth Art Weekender will be robed in ‘mists and mellow fruitfulness’. The weather is shocking. Jumpers are packed for a full day of art.

theoldmortuary- in the press

Three years ago, when we were knee deep in rubble and dust, we contacted Cornwall Today to see if they were interested in the story of turning an old mortuary into a home. Kirstie Newton, the editor, put us in touch with Jackie Butler one of the magazine writers. We met with her in 2016 before moving back to the cottage. Jackie’s article along with photography by Tom Last and Stephanie Yates has been published this month in Cornwall Today. IMG_0523Jackie has written a great article out of a lovely afternoon natter about our two year redevelopment of the old cottage and the adjoining mortuary. What is only touched on briefly,  but is the absolute core of this build, is the amazing quality of work of the tradesmen we used. Both creative people,  we knew how we wanted the cottage to look but not how it could be achieved.IMG_0524Jason and Dave, Wayne, Pete and Justin listened to our ideas, many of them mad, and used their skill to achieve what we wanted where possible and found great alternatives when things weren’t possible. We had concrete wall desires that would have cost us a fortune if we’d used the same techniques as Tate Modern. Together we worked out how to get the same finish at a fraction of the cost. IMG_0526Wayne was tasked with painting the main room of the house in a dark granite grey.   ( Farrow and Ball Railings) . I think he had doubts but then came up with the brainwave of painting the banisters white with a black handrail. It looks epic.IMG_0525Pete put up our eclectic taste in light fittings including the legendary neon and Justin had the unenviable task of putting up tiles in a herringbone pattern. All these lovely men came to us via              http://www.superfit.uk.com/IMG_0527

They did a brilliant job.

 

Its lovely to see their hard work and our ideas in a magazine, thanks to Cornwall Today for taking an interest in our project.

New York

IMG_0491My first visit to New York and the photo I choose to publish is not iconic. I’ve taken loads of iconic photos but this one sums up my feelings so far.Writers and artists have sought to encapsulate the essence of New York  with words or images for 400 years. Here’s my attempt.

Timber piles and nuts at the Staton Island Ferry terminal at noon.

Daylesford Day Out

IMG_0582Yesterday the stylehounds of theoldmortuary. design went to the new extension at Daylesford Organics in Moreton- on-the-marsh. For me and the hounds it was a first although I regularly visited the Marylebone branch. However whilst working in Cheltenham and living in Gloucestershire Hannah had hunted down the rural base in search of coffee and decided we should all visit. IMG_0572.JPGWhat a feast for the eyes. Daylesford Farm Shop takes pretty to a whole new level. There was texture and colour, perfume and chatter. We came away inspired and happy.