Glut

I love the word glut, even though it’s harsh and ugly in sound and shape, it reminds me of the fecundity of autumn, lush and abundant with harvested produce.

It’s meaning is an excessively abundant supply or to satisfy fully.

The last weekend of September in Plymouth had an outrageous glut of arts and culture. Three different arts organisations included this weekend in their programmes.

Drawn to the Valley , straddles the area adjacent to the Tamar Valley. Predominantly featuring ‘Open Studios’ the work of just under 100 artists was available for 8 days, finishing on this weekend.

Plymouth Art Weekender also has some open studios , but it also features performance art, sound art and interactional art experiences over 63 venues all over the city. Events started on Friday evening and carried on until Sunday afternoon.

The Atlantic Project is three weeks of an International Festival of contemporary art starting on this weekend with sites both indoors and outdoors across Plymouth.

www.drawntothevalley.co.uk

plymouthartweekender.com

www.theatlantic.org

With so much to do and so little time to do it in the weekend passed quickly. Flashes of recycled plastics in a green and white funeral-like procession with discordant music. More discordant music and watery sounds. Amazing enthusiastic people doing their thing everywhere. It was a brilliant weekend. I could list the stuff I saw but that would be very dull. I’m going to write about three artists, one from each organisation. They happen to all be women but that’s a coincidence . I also saw some amazing work from men.

Drawn to the Valley- Jill Coughman Open Studio.

Jill was one of my art lecturers , she is inspirational. I’m drawn to her work even when I don’t know that she is the artist. Much of Jill’s work is autobiographical, it is emotional and evocative of both herself and her environment. Even tough subjects feel safe to explore through Jill’s response to them. I bought a print of Dockyard Blues. I love it.

Plymouth Art Weekender- Juliet Middleton- Batts

Juliet invited me to visit her group exhibition ‘Work In Process’

The group comprises both graduate and post graduate students from Plymouth University.

Juliet’s work was stunning. Her title Heroes gave no hint of the works definitive topic but a bike outside embellished with flowers and ribbons in the colours of the Women’s Suffrage Movement was a not so subtle hint. Inside her installation, 100 discs laser etched with the names of imprisoned suffragettes hung on fine thread . The discs represented the medals awarded to all of these women who had endured participation in Hunger Strikes.Illuminated, they cast typography shadows on the walls or flashed a quick bright reflection into the viewers eye. It was mesmerising to look for familiar names but also intriguing to catch the names of people not so well known. The small scale of the Perspex discs massed together as an installation were a fabulous representation of the power of combined and cohesive effort.

The Atlantic Project – Chang Jia

Chang’s work was the only one that made good use of the phenomenal setting that is the Melville Building at Royal William Yard. The other works in this building made no use of the industrial sized epic architecture. Such a shame for them . It would have been amazing to see work projected onto those beautiful walls. Thankfully Heavenly, Corrupted Landscapes has the scale and impact to drag my eyes away from the internal architecture . Her massive canvases owned the space. Referencing traditional Chinese landscapes from the Ming Dynasty the image is created using microscopic photography of the bacteria that is polluting four rivers in South Korea.

F2C58035-A7EA-4E5D-9D1B-2432E2156F2E

The Atlantic Project runs until 21 st October.

Art events like the three mentioned are not all about planning. Serendipity and missing things is also part of the experience.

I missed meeting Nikki Taylor www.nickitaylorscupture.co.uk . I’ve loved her mesh sculptures since seeing them in London and was thrilled to find out she works from a studio in Plymouth. When I popped into her studio she was knee deep in great conversations , so actually I got no closer to talking about her work than I ever have in London.

It’s always good to run into people unexpectedly, and really great when you can connect people from different parts of life.

I met a Fine Art PhD artist who was studying the seaweed of Devils Point. www.duncantheartist.tumblr.com that’s pretty specialised stuff but coincidentally I have another friend whose Biology PhD covered the exact same topic. Surreal things happen, in a good way,when you talk to strangers at art exhibitions. Apologies to Duncan, every photo I took chopped your head off.

To make amends for chopping off a head I will finish with some serendipity. a head from Nikki Taylor superimposed over a mural.I love this image of a mesh head in front of a mural by www.loci-collective.weebly.com

So there we are, a seasonal glut of art and culture. All showcased in great venues surrounded by beautiful scenery and radiant sunshine. Summer slipping into autumn with a huge creative Boom!

Festive Wreathing written for Made in Plymouth

Festive Wreaths with Miranda Hackett Flowers

By Juliet Cornell

Miranda Hackett Flowers

Day courses are a fantastic way to get a taste of a new creative interest. A good course is one that builds on the initial interest and gives attendees the opportunity to take home a competently produced finished product. The very best, enable you to not only create something lovely on the day, but also equips you with the skills to reproduce beautiful items in your own home, building and developing a new talent with confidence.

Festive wreath making with Miranda Hackett is definitely the latter of those options. Meeting Miranda is like meeting a force of nature; creativity and confidence crackle in the air as she talks about her passion for Artisanal Floristry. She moved to the South West from Berkshire a year ago and brought her creative floristry business with her. With a portfolio of London and Home Counties commissions, she has also spent three years creating floral beauty in Slovakia, the universal Latin language of flowers helped enormously with the inevitable language difficulties.

Miranda has already done a turn at The Makers Table at Ocean Studios and loves the beautiful, historic buildings and the fantastic creative buzz the Ocean Studios generates. On 8th December she will return to Ocean to teach Festive Wreathing, this time in the light filled Making Spaces; rooms designed specifically for creative courses.

Miranda Hackett Flowers

Miranda Hackett Flowers

What I personally loved about Miranda’s attitude to floristry was her adaptive approach. She was as enthusiastic about foraging for materials as she was about producing large, highly prestigious commissions. Enthusiasm for her craft just bubbles out of every conversation.

Miranda’s style is loose and flowing, organic in development with seasonality in the locally produced blooms and foliage at the heart of her creations. In her new home here in Devon she now has the space to develop her own nursery to grow native blooms for her future work. Since her arrival in the west country, she has developed a great working relationship with many local producers and growers and has found suppliers from Devon and Cornwall far more open, flexible and innovative in business dealings than she has previously experienced – a little of the west country friendliness we’re so famous for.

If you need any more convincing then last years Festive Wreathing course was held at Heston Blumenthal’s Michelin Starred Restaurant in Bray and a review from that event says everything.

“ I just wanted to say a big thank you for the superb wreath making…it was a wonderfully inspiring day, your ideas were incredible and the quality of your greenery and products were really top class. It was so enjoyable to be in your workshop with like-minded people. Your instruction was so good, I will be enrolling again on your next course”

Booking for the upcoming Ocean Studio event can be made direct with Miranda via her website or by telephoning 07789553921, the workshop cost is £55 and runs from 10.30am.

If the 8th December doesn’t suit but you’re eager to get your hands on a little of Miranda’s enthusiasm then there are two more workshops before Christmas held at The Oyster Shack, Bigbury on Wed 6th and Saturday 9th December, again starting at 10:30am, the course fee of £90 includes a two course lunch and a glass of wine. Booking for these two dates is via The Oyster Shack 01548 810876 bigbury@oystershack.co.uk.

Plymouth Literature Festival 2017

JB Barrington at the Hutong Cafe

Plymouth has an established and vibrant Performance Poetry culture. For Plymouth Literature Festival 17 there is a new venue on the block. The Hutong Cafe, which opened earlier this year, is building a reputation as an intimate location for evening events. Saturday saw the arrival of JB Barrington, a performance poet from Salford, a particularly interesting area of Manchester, he was supported by two local poets and a surprise extra poet from Hull.

The evening kicked off with Antonia Raine, a local poet who flipped misogyny on its head, shining wit and humour on the cliched comments and behaviours of some men that really piss women off. She was followed by another local wordsmith, Andy Blackwell who weaved local and carnal knowledge into brilliant and narrative poems, told in a range of accents that were superbly accurate.

The surprise extra of the evening was Jim Higo, a poet/ comedian from Hull, as a salve to the pride of Plymouth which lost the chance of being City of Culture to Hull he suggested that the only perceptible change in his City, now it is cultured, is that there has been an increase in the street price of heroin. Jim’s set was lively and left me an earworm that was hard to shake. His rant “ I Hate a Floating Voter” was a polemic, and although I didn’t completely agree with it, I was hooked by his performance. His incomplete Ice House Road, a tale of prostitution, left me wanting more and the poem about a lonely aged boxer cadging drinks in the pubs of Hull was unexpectedly moving. He told us that his mum thought that a Plymouth audience wouldn’t ‘get’ him when he told her where he was performing. She was wrong, the audience at Hutong definitely ‘got’ him, his tales of deprivation and humour struck a local nerve.

Wearing a brown Mac and clutching a carrier bag of stuff, the main man, JB Barrington wandered to the front of the room for the third part of the evening. He cut a stylish figure with steel grey hair and modish good looks. The previous night he had performed at the 02 at Sheffield with the Sleaford Mods, and tonight 50 lucky people at Hutong had a much closer encounter.
JB is from Salford, an award winning performance poet known for his satirical, lyrical, ‘working class’ poetry. His poems feature dole and debt, dockers and unions, proud men, strong women and the love, fun, misery and fragility of normal life where he comes from. His mum is a huge source of inspiration. Things Me Mam Used to Say might be the words of a Salford woman but the motherly advice and discipline all seemed pretty relatable. Nostalgia conjured for humble icons like the Spanish dolls that resided in countless Council homes depicting the glamour of European travels long before Easy Jet. JB points out the obvious things that it’s all too easy to overlook and forget; yet these are the things of recent social history.

You Had Me, is the tale of an ex lover-note to many, never upset a poet you might become a performance! Truly I was lost for words, it was such a great evening. Not only because it featured poetry from a man who is such a high caliber performer – I don’t know why did he agree to perform in such a tiny venue a seven hour drive from his home but I am glad he did. JB Barrington came to Plymouth Literary Festival, he was brilliant and incidentally brought another wonderful poet with him and they were both ably supported by some seriously good local talent.

Plymouth Art Weekender / Articles written for Made In Plymouth

 My Plymouth Art Weekender trilogy #1
This year was the third Art Weekender in Plymouth but having only recently returned to the area this was my first experience and I was impressed! The quantity and quality of the art was astonishing. Despite having one of the few dedicated Art Schools in the country and a well respected Arts faculty at Plymouth University, when I left 10 years ago Plymouths Arts Community was not hugely visible to mainstream Plymouth and beyond.

But things are changing and Plymouth Art Weekender is a vibrant sign of ‘Artsy’ Plymouth. I’ve attended week-long festivals which haven’t had such a voracious and high quality itinerary as PAW17. It didn’t pass me by that Art Weekender exhibits started popping up well before the weekend, and I hope some of it will hang around a bit as well. For me the weekender has been a case of ‘so much art, so little time’. I’ve written about the exhibits and events that really stood out in my weekend but there were many other wonderful pieces I would have loved to write about.

For me the first event was live music at Hutong Cafe. Hutong Cafe cuddles up to the outside of the main entrance of The Royal William Yard and is the evolving brainchild of George, Jack and Emma who opened the Cafe earlier this year. Diamond Family Archive are a Lo-Fi psych folk duo and they filled this intimate venue. The music was mesmerizing, the music swelled and grew to the point that it seemed impossible that only two men were creating it. Ambient sounds, seemingly plucked out of the night air were woven into the performance. Coupled with good wine and food, this could be the new way to enjoy live music.

Ocean Studios played host to JoJo’s photography exhibition before and during the Weekender. This exhibition features couples who have committed to life together alongside single mothers with their children. I posed for Jojo 10 years ago in his first Plymouth Uncovered book and know from experience what a charismatic photographer he is so I felt a particular connection to this exhibition. His empathetic approach to his photography gives it the quality of painted portraits, evolved over a far greater timeframe. Faces, but also hands and feet are expressive at a deeper level than in a usual portrait because of some special magic that Jojo manages to infuse into his sessions. Some of the photos in this exhibition ache with the amount of information they are trying to convey.

I was lucky enough to talk to the artist after seeing the exhibition, and told him some of the sentiments I had picked up on from his images. Ever the consummate professional he said nothing indiscreet about his sitters but I’m sure his eyes agreed with some of my thoughts. I’ve been back a couple of times to enjoy his exhibition; it is well worth the time. This diligence has nothing to do with the great coffee and cake that can be bought at The Ocean Studios Cafe next to the exhibition…

 
My Plymouth Art Weekender trilogy #2

Saturday saw bright sunshine and driving through Plymouth early in the morning I could sense there was something arty in the air. As I drove around the city I caught sight of what can only be described as human sized litter, performing strange activities. I arrived to my first venue of the day, Ocean Studios Open Studios. This event took up way more time than I had planned for and the event blew me away. It was like visiting a massive advent calendar. Every time I took a peak behind the door of a studio I had no idea what I was going to experience. The ground floor, larger, studios of ceramicists and other makers were alive with the chatter of children’s workshops.

Space was at a premium as the peripheries of the rooms were filled with proud and attentive parents who marveled and photographed the skills and achievements of their offspring. Chunky stone stairs led me upwards to smaller spaces. My nose led me in the direction of an artist who was using oil paints, brilliant jewel like colours shone off canvasses, coupled with the smell it was a heady mixture. Sadly the artist was missing, (everyone needs a wee sometime).

Teresa Pemberton was in the building and her big bright canvasses bring a smile to anyone’s face. Talking to Teresa it was easy to discover the value of working as a lone practitioner within a collaborative space like Ocean Studios. Mosaicist Emma Spring works was working on a brightly coloured commission in her studio space.Emma has been creating Mosaics a long while, examples of her work adorn the streets of Saltash and she is also closely associated with Flameworks in Plymouth. I’ve recently taken more interest in mosaics, it was great to meet her and see the process as a contemporary practice.

So far so familiar, and that is not a bad thing but on opening one of the doors I met a woman who Free-style embroiders on a machine. Who even knew there was such a thing! Ewa Morawski has recently relocated to Plymouth and lives close to her studio in Royal William Yard. She studied textiles in London and has had commissions from some interesting organisations. Her creations are stored in clear crystal boxes and as her work tumbles out it is hard to believe that the flimsy, beautiful objects are not petals and blossoms just plucked from a bush. One recent commission had her making delicate orchids for the Royal Horticultural Society; they were better than the real thing. She works on an old Singer sewing machine that looks just like the ones that retailers use to give their interiors retro credibility. Ewa creates flowers for brides and corsages but not all her work is soft and sensitive. She rocks punk sensibilities when she recreates tattoos in fabric and her version of a Remembrance Day poppy is vibrant and jazzy.

As I came to the end of my journey I connected with Shayne House. Shayne and Sarah Smalldon share a studio, Shayne is a digital marketing expert and creates wonderful prints with Letterpress and Silk Screen. Sarah produces prints and exquisite house portraits. Perhaps most importantly after four hours of poking my nose in Studios they had a lovely squashy sofa to rest my weary art tourist feet.
My Plymouth Art Weekender trilogy #3

Sunday, I planned to spend the whole day with one topic – Commit This To Memory. Jessica Wright had installed QR codes at each of the 32 sites identified by Plymouth City Council as ‘at risk’. My interest in this project was that each of these sights was already known to me from years of hunting down old bits of Plymouths history, however I have neglected them for the ten years I’ve not lived in Plymouth. The project aims to get Plymouth people involved and interested in the architectural features that Plymouth Council consider to be at risk of becoming unsustainable, to preserve their history. As a family and group of friends we love finding ‘Old Plymouth’ and the conversations and happy memories that spring out of an old piece of Plymouth architecture are precious.

In Jessica’s words- The project is about the here and the now, engagement in the present and the infra-ordinary – the little things that go unnoticed. Scan the QR codes on the stickers to find out more about the sites included in the project and use the hash tag #cttmplymouth to get involved on Instagram. Follow the project @cttmplymouth.

Following the project on Sunday got more and more unpleasant as the rain tracked down my neck, and photography became impossible. The great thing about this Art Weekender experience is that these artifacts have been around a while and will last even longer with love and respect from the city even if this particular project is transitory. Sunday’s weather defeated me but Monday, saw sunshine and climate induced enthusiasm. I popped out to three of my favourite sites on CTTM. And in the spirit of the project shared some of our familial memories.


Thanks to Jessica Wright and her project, I’ve had a great Sunday/Monday. As my personal conclusion to Plymouths Art Weekender, CTTM beautifully illustrated how art enhances life. Just visiting these architectural locations makes me enthusiastic to learn more about each of them and to experience and talk about them with other people.

The 3rd Plymouth Art Weekender, what a blast!

  

Plymouth Art Weekender

Plymouth Art Weekender started yesterday. A city-wide celebration of all things arty. Yesterday theoldmortuary team took in black and white photography by JoJo at Ocean Studios. JoJo captures the human condition seemingly effortlessly. His exhibitions are thematic and this one features couples who have chosen to spend their lives together and single mothers with their offspring. I’m not sure why only single mothers were selected or indeed why these two separate subjects don’t quite work for me as a theme. Regardless, the photography has all the hallmarks of JoJo. From experience, I know that JoJo puts his sitters at ease and gently extracts the stories behind the people. I’m a huge fan of his latest book, Naked Truth, partly because the photography is skilled but more because he tells the tale of body image so deftly. Returning however to this current exhibition, I was struck by his ability to show both passivity and defiance in the faces of his single mothers and contentment in those of his couples. The more I view these photographs the more I learn about the sitters without ever meeting them, he is a very clever photographer. A longer review will be published later.

A little late

IMG_9808theoldmortuary website and blog is a little over a month old. This was the first person to want to follow us but he has only just got here. Follow us to see all the cool stuff that thrills a snail and a few other people who love the stuff we love.

The Hutong Cafe, Plymouth.

My dogs are urban dogs, they like a circular walk on tarmac with plenty of green space to run around on and a dog friendly cafe for a bit of a nap. I’ve been trying to recreate that for them in Plymouth. Today I struck gold for all of us.

We parked at Devils Point and had half an hour of fabulous sniffs and running about before descending the steps into the Royal William Yard to call in at Ocean Studios before taking the road back to Devils Point.

The Hutong Cafe just outside the grand gates of the Royal William Yard used to be a pub. Now it’s a stylish cafe serving great coffee.IMG_9451I’m not the main coffee addict at theoldmortuary.design but I do know a good cup of coffee when the bubbles on the crema reflect beautiful oily-looking copper colours on the  top of a simple black coffee. So there we go, top marks for the look of a black coffee, top marks for flavour. My piece of cake was great too , but as usual I’m really more about the style of the place.

Hutong has great style. Easy on the eye, industrial retro , done impeccably, which is not always  as simple as it looks.IMG_9452

Style is also about the ambience  of the place and Hutong gets it right. Dogs are welcome either outside or inside, nearer to the front of the cafe.IMG_9459George, one of the owners, was welcoming when we arrived and he and Owen the barista  were involved in conversations with everyone in the cafe at some point during my visit. Later I met Jack , George’s brother and co-owner, who is equally engaging. George and Jack have great plans for the future of this cafe and they were a pleasure to natter to. Chris the chef made a brief appearance to smile , completing what seems to be a winning team. A cafe this good is a great addition to the area and a fabulous place to take the most dedicated of coffee lovers.IMG_9457