#1603 theoldmortuary ponders

I have been pondering the meaning of community today. I am not sure I could make a list of the communities I am involved in. Someone would be certain to point out one I had forgotten.

The artist community in real life and on line is an easy one to identify, although this year I have skipped joining in with Inktober. An informal group that responds to daily prompts to draw, paint and sketch using ink.

During October I am certainly using inks but not responding to someone elses prompting. Yesterday I realised that this October , for me,has become Pinktober. For an entirely random reason.

While I was in France I managed to buy a bright pink Bic fine tip pen. Traditionally watercolour paintings can be enhanced with pen and ink. Usually but not always black. I prefer Sepia but a set of five bright colours really set me thinking and so two pictures this week have been embellished with pink and I love it.

Not that I can belatedly join the 2026 Inktober community as none of their prompts could inspire a seascape or a random collection of three mussel shells, a cracked pebble and an Oyster shell.

Maybe I could talk my way onto 28 th October using ‘Trophy’ as these shells were happy trophies brought home by a grandchild. Or indeed October 31st ‘Flex’ because to paint the collection of shells I flexed a little to turn over the mussels to reveal their beautiful blue sides and the pebble to show the crack. I also flexed my mind a little bit to overlay the watercolour painting with the original photograph of the collection from the beach. The serendipity of doing this works brilliantly in this instance . Giving the hybrid print of this painting more abstraction and artistic heft. So flex on the 31st of October this one will be.

Another of my communities will provide ‘Trophy’ on the 28th of October. One of my local community WhatsApp groups advertised free Quince, generously left for anyone to collect.

I love quince and these are really quite a trophy. They will be my fruity muses sometime soon and after a painting is done they will be cooked to make Quince syrup and Membillo a gorgeous rose coloured jelly to eat with cheese and ham throughout the winter. The Quince may well join the Inktober community. Better late than never. They will also be enhanced by pink ink. In my own solitary community ‘ Pinktober’ of just me and my pink Bic

#1381 theoldmortuary ponders.

Christmas 2025

I have made a start on my hand painted digital Christmas Card. A Work in Progress production with a working title of Baubles in a Bag. There was an artists gathering this morning . Talking and creating is the aim. I like to have a simple project on- going while I natter. I am puzzling how to get some texture into the paper bag. There is an uncanny similarity to my Apples in a String Bag.

So the baubles are going to have to be in a paper bag, more bag less baubles

Actually a few more baubles are in the bag.

Just one more bauble to paint and I am going to have to commit to painting a paper bag. At the moment I dont think I can paint my way out of this paperbag.

#230 theoldmortuary ponders.

Lovely buns brought the Drawn to the Valley, Spring Exhibition to a close. 100 visitors and members came to the final day of the exhibition and the afternoon was further enhanced by tea and cakes for everyone. Buns are a fine way to spend part of Saturday but a puppy is an even finer way to make the day memorable. Meet Mini, a friends Dachshund baby.

And if a little puppy wanted a cuddle it would be churlish to refuse.

And just like that Saturday passed in a joyous whirl of buns and puppies. Perfection really.

Pandemic Pondering #336

There has been a good bit of pondering over this blog today. No standout trail of random thoughts stood out yesterday ready for publication this morning. The tomato figurehead was a late arrival, its significance will be revealed later.

February is watercolour month @theoldmortuary . Not this year, the studio is partially packed away. I’ve not painted anything since a commission was finished before Christmas. Not able to quite control creativity I found something I can keep in a small bag, Lino printing is likely to become a method of illustration for these blogs once I get going effectively.

For similar reasons watercolour is my medium of choice in the dark months of January and February. It doesn’t require studio space, just a dining table which happens to be in the actual old mortuary, which is lovely and warm. ( Not a sentence associated with real mortuaries)

February is often about experimenting. So linoprinting is not such a great leap. Watercolour portraits, fascinate me. This one is of Fred, one of my schoolfriends. Painted a couple of years ago. I enjoyed the discipline and probably need an excuse to do more.

February is also about buying new art materials and getting to know them. The quickest way for me to do that is to revert to my earliest artistic endeavours and one that I only truly revisit on holidays ( no time soon I think)

Watercolour landscapes, a fine way to relax and experiment a bit. As a holiday activity it is unequalled, although many of mine are not truly watercolour as it is all too easy to dip a brush in my gin and tonic in error. This last watercolour will feature in tomorrows blog too, as it is a painting of the ‘Nearly There Trees’ a famed Landmark on one of the routes into Cornwall.

So back to the tomatoes. Inspired by The Lighter Side of Science on Facebook a page published by https://www.iflscience.com/

This site is perfect for the strange old mashup that is me. Part artist , part scientist, part ponderer.

I’ve reused and paraphrased their quote of today onto my painting. When else would l get the chance to use a painting of a tomato!

Pandemic Pondering #139

Borders are the subject of today’s art group prompt.Borders have always fascinated me. I am a blurred borders sort of person, grey scale rather than black and white. Curiously a border is the underpinning geographic feature that defines the art group that these prompts are set for this month.The Tamar Valley divides and is the border between Devon and Cornwall. Conversely it divides Cornwall from the rest of the World.What creative things will the Artists of the Tamar Valley be inspired to create or share when the word Borders drops into their Instagram or Facebook feed today.It’s very difficult to predict. August is traditionally both quiet and busy for local artists. Quiet because the creative work is mostly done and busy because it’s open Studios time. Open Studios is a big deal in any art group , a time for artists to throw open their studio/workshop spaces to welcome in the public. Or to arrange a public space for groups of artists to show their work.Open Studios has been going on for years.But not this year.August will pass in the Tamar Valley without its usual artistic flurry.Time to sit in the sun and consider the word ‘ border’ or indeed any of the 31 words on the prompt list.PSI’m aware this is not the most scintillating blog but this little post script might make you smile. I’ve just finished reading this month’s book club choice. Post shower there was a visual joke.

Pandemic Ponderings #1

Ponderings at theoldmortuary are just that. Something that comes into mind or sight that can be the kernel of a blog.

Pandemic Ponderings will not be particularly virus related, but they will be shaped by a newly restricted life.

I’ve started them today because I had to make concrete changes to life yesterday because of new restrictions in the UK.

Hand washing and the prevention of spread of infection were for so long part of my previous occupation that societal increases in protective behaviours has made no significant impact on me, it has been second nature for all of my working life and switching to the same gear in private has barely registered

Now I’m responsible, with others, for putting on an Art exhibition. I’m hugely aware of the creative work, costs and administration that has got us to within two weeks of opening. But it is in everyone’s interest that we do not hold an exhibition now or for the foreseeable future. It also seems sensible to mothball the whole Artist Collaborative that has plans for many exhibitions before the end of the year. Mothballing allows us to not have face to face Commitee meetings or working groups, so vital to the running of most organisations.

Arrivals and Departures

I think I’m a bit of a romantic when standing in Arrival or Departure areas. There is something that refreshes my faith in human relationships. There is anticipation,sadness, anxiety and hope but familial love and the closeness of friendship are the uppermost emotions.

Yesterday I spent a couple of hours in a combined arrival and departure area of a train station. I have embarked on heart wrenching journeys to visit dying parents from here, excitedly started fascinating journeys to the rest of the world. Alternatively I have waited patiently to welcome many people I love and care for. On Sunday evenings there is often a gathering of young people just embarking on their careers in the navy being gathered up from all corners of the country to be bussed off to Torpoint to start their basic training at HMS Raleigh.

Yesterday I was going nowhere , just there to promote Daffodil Growing , Art and many other fascinating aspects of the Tamar Valley Area of Outstanding Natural Beauty.

What a perfect excuse to people watch. Plymouth Argyle were playing at home so the green and white army were the biggest recognisable group. Closely followed by happy Cosplay participants. Then there were the family or friend groups and the excited gathering of university students. There were some tears but there was overwhelming happiness too.

It was unpredictable who would interact with the joyous yellow of our leaflets and posters. The happy travellers of Plymouth Station took our yellow missives, who can guess how far they will travel.

Digital Learning Day

Every day is a digital learning day @theoldmortuary as we are both digital migrants, very far from Luddites we are early adopters of technology who have a fondness for the hardware of the pre-digital age. Currently involved,and failing, to engage local artists in the benefits of Instagram , this morning I adopted irony with my post.

© Guardian

This image captivated me over the weekend, it illustrated an article about Hilary Mantel and her new book. Another image from the weekend was this typewriter in Joe and the Juice, Wimbledon.

I love that the hardware of the pre-digital age are loved by so many people and not all thrown into landfill.

Joe and the Juice, Regent Street had another gorgeous typewriter when I was there in the winter.

Lurking in the studio @theoldmortuary there is a collection of wooden letterpress letters.

The sentiment is somewhat appropriate.

And, thank goodness, neatly brings me back to art.

I would be really grateful to anyone who has an idea or experience of engaging artists and makers to engage with Instagram and Social Media in general. Comments either on here or on theoldmortuary Instagram/ facebook page. Thanks in advance.

Drawn to the Valley, Drawn to London. Artists of the Tamar Valley.

As someone who has spent their entire adult life actually being drawn to the Valley and then drawn to London, on repeat, and loving both equally, this was always going to be a ‘ not to be missed’ exhibition. The Valley in question is the Tamar Valley, the natural border between Devon and Cornwall. Beautiful, spectacular and largely undiscovered this vivid corner of England is home and sometimes muse to a vibrant gathering of artists. Some of whom belong to the collaborative group Drawn To The Valley.

The group has over 160 members, thirty-five of the artists have brought their work to Pall Mall.

The exhibition which runs from 22-27th October at The Royal Opera Arcade Gallery is an eclectic mix of art, some very representational of the area from which the group hails and some inspired by world travels or fantastic imaginations. This exhibition has something for everyone. West Country expats will love seeing familiar landscapes rendered in so many different ways, while those who are quite unfamiliar with the area will be exposed to its charms by the skill of artists who really love the place they call home. Not all the art here is representational, there are some amazing abstracts and 3D pieces. London and other world locations have also inspired this talented group of artists. Some pieces are pure creativity and inspiration.

Invigilators or gallery assistants can be a huge part of setting the tone of an exhibition. It’s not an easy job to gauge how much interaction gallery visitors want. Drawn to London benefits from having the artists themselves as invigilators. During my visit everyone was warmly welcomed and conversation about the art flowed freely and enthusiastically.

The ‘Hang’ at this exhibition, which covers three floors, is whimsical. Not unlike the Royal Academy Summer Show. Works that look good together, hang together. Maybe this style is not for everyone but I think it adds to the really happy feel of this exhibition.

I hope I can get back for another mooch around, I can’t recommend this refreshing exhibition too highly. If you have a blank wall there is almost certainly something here that would fill it nicely.

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www.sallyoneillartist.co.uk

www.glenrockstudio.co.uk

www.ianpurvisart.com

www.charlottesainsbury.co.uk

www.angelasmithsart.com

www.katystonemanart.co.uk

www.saatchiart.com for Marianne Sturtridge

www.callingtonartschool.com for Tessa Sulston

www.riichardsunderlandart.com

www.tinatianart.com

www.markwigginsart.com

www.annette-wrathmell.co.uk

www.simonyoungart.com

www.drawntothevalley.co.uk

Creative Port- Linda Winter talks to theoldmortuary

theoldmortuary is a place where artists and creative people come to talk. Creative Port is a series of conversations with artists and makers who have a connection with Plymouth, Devon, UK. Plymouth, the Ocean City, is a creative city of arrivals, departures and settlers.

Linda Winter is a regular at all three. She will be exhibiting at Bens Farm Shop, Yealmpton soon.

Coming from a family of creatives, it would have been easy for Linda to become a painter. Creativity is in her blood, descended from an East End tailor, her mother was a woman compelled to make the intricate and fabulous, if not always useful, fabric creations. Her brothers are Art School trained and successful. Christopher Stevens is a painter of note and Head of Painting at Brighton School of Art. William teaches art in Bristol. However, and perhaps perversely, Linda avoided the art school route, her work is solely the product of her innate ability. Sibling rivalry may have made her pick up a paintbrush initially but it did not lead her along a traditional route.

Linda had an uneventful education and then ran away to Cornwall and had a family. Her rebellion was short lived. Three young children, little money and a house on the edge of Bodmin Moor meant that she was thrown back on old painterly habits to keep her sane.

Using Gouache on Arches paper, she painted large vibrant semi abstract boats that quickly became her signature style. Selling though the Barbican Gallery in Plymouth helped to establish herself as an artist. In Plymouth in the 1980’s and 1990’s, being a female artist was a struggle. So, in spite of having numerous one woman shows, Linda went to University to learn how to teach. Again the rebel surfaced, instead of studying art, she studied Psychology and is now teaching Psychology in London, but she still comes home to the sea most weekends and holidays.

One eventful afternoon with only a small canvas to hand, she noticed some beetroot on her kitchen table that had been purchased the day before, (She paints in her kitchen). The leaves were beginning to wilt in the sunlight. The purple of the bulbs vibrant against their fading glory. She picked up her brushes and an idea was born. Although a classic still life subject, fruit and veg were not an obvious choice for an artist as vivid as Linda. The Fruit&Vegetable Series however made a serendipitous connection when Linda had a chance meeting with the Management from Ben’s Farm shop in Yealmpton (where the Beetroot came from). A unique exhibition will be held in the newly extended eating space at Bens, featuring paintings of her naked organic vegetables. The exhibition is special, following a conversation over coffee about the difficulties some families have in affording quality food, it has been decided that the commission, 20%, of each painting sold will go to the Trussell Trust and Plymouth food bank. Organisations’ that Ben’s already support. In addition, Ben’s will also donate a proportion of the afternoons takings from Food and Drink sales. Unconventionally, the opening, at 3pm will be a family event with kids painting, burgers, the paintings and Linda telling her story. Regular adults not accompanied by children are also very welcome. The fruit and veg show opens at Ben’s farm shop on the first weekend of June.