Pandemic Pondering #530

©Beth Munro Continuum

Our trip to the theatre earlier this week was a double treat. Plymouths Theatre Royal holds art exhibitions in the the bar areas in the building. Freshly installed was Journey, a transatlantic collaboration celebrating 400 years since the sailing of the Mayflower. Featuring Printmakers from the Tamar Valley and Cape Cod. Originally planned to be part of the Covid disrupted Mayflower 400 celebrations, this exhibition is a rare survivor of the planned events.

Tamar Valley Printmakers are the British group participating in this exhibition. Several members of this group are also members of Drawn to the Valley, one of the art groups I belong to. I tried to get good photographs of the prints of people I knew, even if only a name recognised from a membership list. It wasn’t always possible as the lighting in the theatre can reflect quite distractingly on the exhibited works. Sometimes I could only capture part of the image without getting unwanted reflections. My apologies if I missed anyone.

© Ley Roberts Migrants

The Theatre Royal in Plymouth is currently not serving refreshments during intervals. The printmakers will have everyone’s undivided attention as they sip on their complimentary cup of water.

©Oonagh Glancy Looking Forward, Thinking Back.

The all too familiar face of Donald Trump beamed from one of the prints.

©Fi Smart, Donald’s Journey to Enlightenment through Printmaking

If only enlightenment was that easy. If it were, printmakers would be the most popular and sought after artists in the world.

Just to clean your mind of Mr Trump I’ve included one print not created by a Drawn to the Valley artist. Boricua by U.S Printmaker, Adrian Tió. Not representing the European migration story, his work brings Puerto Rican flamboyance to the exhibition and reminds us that Mayflower is just a tiny part of the story of the modern United States.

©Adrian Tió, Boricua