Bill Stickers is not only innocent, he is a genius. ( London gives good Palimpsest)

https://www.theguardian.com/books/2018/apr/25/passages-from-the-bible-discovered-behind-quran-manuscript-christies?CMP=Share_iOSApp_Other

I’ve never really known the correct term for the incidental art created by street posters, graffiti and general wear and tear. Some years ago I settled on Palimpsest, this article in the Guardian has made me question my decision but I can’t really find a word that works any better.

Cultural and creative vibrancy can be measured by these serendipitous spaces.

Not all owners or administrators of walls are fans.

Palimpsest fascinates me , even the corporate version on traditional , paper and paste, advertising billboards are a rich source of serendipitous art if you can catch them on the day old posters are ripped off . The current trend to advertise gigs with notices, cable-tied to street furniture gets around the Bill Sticker haters but removes a layer of lovely colour and text that could be adding to palimpsest.

Occasionally I use the technique to create my own art.

Sometimes the most intriguing stuff can be found down alleyways. Hunting it out can require a strong stomach as these places also gather the excrescences, of a vivid and active night life.

London gives great palimpsest. The images below were collected on a walk from my hairdresser to a favourite coffee shop, half an hour max. My phone is full of palimpsest images from all over the world, some of it from teeny tiny places and sometimes in locations that are unexpected.

Hunt street palimpsest out; you will be rewarded.

” Dull places have immaculate walls”

Artworks/Portfolio

I’ve been adding some recent images to my Artworks/Portfolio page, I’ve got a pile of work that needs just little bits of attention to get them ready to sell. There is also a commission that needs a good stretch of time to get it ready for delivery . The better weather this week would have been perfect for art but it was also time to attack the Cornish hedge that runs in front of the studio windows. 10 years of routine maintenance had kept the lane passable but optimum hedge health had not been on our agenda. Many woman hours later it is trimmed and bramble-less , looking pretty sparse with one or two holes that need to be filled with some climbers . Boston Vine , Evergreen Clematis and Japanese Wisteria will add some natural colour alongside any incidental splatterings that embellish the garden and hedge during a summer of painting . Time to get back on the paintbrush…


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A Year to cross a bridge.

A little over a year ago I crossed this bridge physically and metaphorically. After a 42 year career in the NHS I left to embark on an artistic and creative phase of my life. Straight ahead, in this picture, is┬áSt Paul’s Cathedral and behind that BartsHeartCentre. This bridge was part of my route home after a days work or an on call shift at Barts. The views from this bridge are wonderful, restorative and uplifting. Sometimes they needed to be.

One year on is a good time to reflect. Leaving a career I had nurtured for 42 years was a hard decision, but it had become an uncomfortable fit that I was no longer prepared to compromise my creative drive for. I had painted and created as relaxation since leaving school and even with limited time had had some success exhibiting and selling work. I studied part-time for a degree in Fine Art, fitting in five years of study with raising a family and building a career.

Having crossed the bridge forever, deliberately giving up my professional registration, the way forward was art rather than arteries and creativity rather than cardiac arrests.

The first thing I noticed was the incredible amount of headspace that appears when you no longer work 40 hour weeks. It took a little longer to feel fitter and younger. What surprised me was that limitless time to be creative doesn’t actually make for super creativity . It doesn’t actually get any easier to render an image onto a canvas , there is more time to make mistakes and prevaricate and definitely more time to tidy the studio or buy materials. Mistakes are the big thing, I love them now, previously they were mind numbing irritants, coming between me and my next great composition . Paint on canvas might not, in the past, have occurred again for weeks but now that’s not the case. So mistakes are my new big thing, new materials, quirky pairings ( Concrete and silk is my current vibe) Realising I couldn’t just flit about making extravagant mistakes I built some pressures into life. I’ve been learning the writing style to create useful art/cultural event reviews, 600 words, for publication. I’ve also learnt to utilise social media to publicise gallery and other art related events.

In many ways this brings my year of crossing the bridge to a conclusion. Unexpectedly a small piece of my work was included in a TateLates exhibition. Ironically it was a piece created when the pressures of my previous life on the north bank of the Thames were very great. Who knows where the mistakes, headspace and time will lead me.06200347-50CE-4F56-8247-77CE3A7B3BCF