#1272 theoldmortuary ponders.

I can never be sure where a book will take me and this one is no different. But the project for today is unexpected.

Drum roll…

Turner did not use white paper or canvas, his whites are created by white paint. Which I am slightly averse to. True Whites in my paintings are usually gaps in the paint. Today I will be soaking paper in cold tea and drying it in the sun, for a more random 250 year old look.

These slightly mad little experiments are unlikely to make it into the public domain, even at a Turner inspired exhibition, but the way colours react in different circumstances is fascinating to me.

But none of this is where this book has taken me in the last few days.

While I was busy doing a job not involving art. I was on a parallel and self guided path of art appreciation and dabbling with watercolour. Until I decided to give art a more academic and educational  space in my life by committing to many years of part-time study doing a Foundation Degree and then a Fine Art degree. While still studying the essential science stuff for my career.

Without much research I started the journey towards a degree in Fine Art, imagining that I could immerse myself in the world of artists from Turner to the Impressionists. Not to be. Without due diligence I had signed up for a Contemporary Fine Art Degree. One of life’s awkward moments, regrettable at the time, but the fees had been paid. Turner and the Impressionists slipped from view, pushed out by Rothko and Grayson Perry and many late 20th and 21st Century artists*.

*This was the best learning experience ever, so glad I made this error.Contemporary Art really stretches thinking, and thinking makes for great pondering.

This last couple of months has been the first time I have been truly back with the older generation of artists for 20 years.

The things I did not know about Turner are manifest. In the last few weeks it has been easy to find Turner locations on the Devon/ Cornwall  border. But unknown to me my London life was very Turner centric. The number 3 bus from Crystal Palace to Oxford Street is like a Turner Experience. If only I had known when it was my daily commute.

I took this quite a few years ago because life was mimicking art.

©Pedro Poyatos

https://www.saatchiart.com/poyatos?srsltid=AfmBOoqlBPpGody31sBnGfvkHpSZvIQoErt2Gd3VhHHeUw74brUQqcj2

Which brings me to a brand new-to-me artist.

Books really do take me on extraordinary journeys.

A ponder for another day, Turner and my daily commute. For now though I am tinting paper with Tea Bags…

#1118 theoldmortuary ponders.

Colour is my thing. Sometimes when I frame a picture the snippets from the chopped off edges are so jewel-like and precious that I can’t bear to throw them out.  We are in the midst of a slow, deep tidy and reorganise of the studio space that trebbles up as a snug/play room and exercise area. A practical person would throw these inconsequential bits of scrap into a bin. And I may still do so but two of the strips had the words Hearts and Minds typed on them. The typed strips ran in two directions which made me think about warp and weft and set me off weaving paper for absolutely no reason.

The first weave, above,  was entirely random. But the second gave the words more prominence.

Typing and watercolour work well together. The watercolours are easily accessible in the new storage but the typewriter is put away until we get some more storage. But maybe weaving words and colours could be a new project. But will I be diligent enough to throw the scraps in the bin?

Who knows where this will take me?

#827 theoldmortuary ponders.

I am a mucky watercolour painter. I am also a procrastinator, so sometimes I see disaster as a lovely excuse for a tidy-up.  Yesterday afternoon I discovered something messy had occurred in my watercolour storage box. Despite needing to get on with a painting I set about resolving my disaster. Meanwhile, outside, my home city of Plymouth was dealing with a much more serious potential disaster.

BBC News – Plymouth WW2 bomb found in a garden, detonated at sea. Read link below.


https://www.bbc.co.uk/news/uk-england-devon-68385962

Not an everyday driving job. ©Cyberheritage

The outdoor potential disaster had given me a few daylight hours to start a new painting. All waterfront areas were closed to the public, and many local roads. No trains, busses or ferries. The perfect excuse.

Paints all tidied up. My models were arranged.

And I began the painstaking task of painting and printing a cup of mint tea resting on a bistro table, standing on a tiled floor.

I think there is a delicious irony in painting a cup of calming mint tea; while not 500 yards from my home a bomb weighing over 1,000 pounds or 500kg is being towed out to sea.

Daylight failed me, eventually and I have not managed to finish. Just the dregs of the tea have been painted into the cup. Two disasters resolved successfully.

One day later and the job is done.

#553 theoldmortuary ponders

I am a mucky painter. The only time my studio desk is tidy is when I am a procrastinating painter. Yesterday’s victory over the admin for entering an exhibition gave me time to do all sorts of life admin and a spare hour, to start another painting. The chance, I realise to talk about light quality.

Late afternoon light.

Thankfully this is proper paper so the blotting paper battles of the last couple of days are over. I rarely paint at night but I wanted to get a push on this one. The next picture demonstrates why I need to get a daylight bulb.

Artificial light, no natural light.

My studio faces west but our back yard is painted a brilliant white. So early morning, reflected light extends natural daylight from early spring until October.

Early morning light.

And then finally, although this picture is far from finished the positive impact of a mount.

Sunset Storm WIP

I realise there is not so much pondering here so far,but the blotting paper debacle did, in a crisis, teach me that I can prep paper with Alcohol inks. I gave that a little whirl on this painting which is a doodle really. I over-did it but the marshmallow clouds are exactly what I was aiming for.

More scruffyness

#375 theoldmortuary ponders

Today is another cupboard tidying day. Writing a daily blog can be a little like waiting for paint to dry, and between cupboard tidying there has been a little paint drying @theoldmortuary. I had rewarded myself with some new watercolours and inks following good artwork sales at a recent exhibition. One of my procrastination tactics is always to create a colour chart of new paints to the collection.

I have not actually bought 19 new colours. My order was lost in the post and the vendor very kindly added quite a few extra pans by way of an apology. Not colours I would have chosen but very lovely additions. The inks were a slightly different proposition. The trouble with artistic procrastination is the sincerity with which it is included in the creative process. I realised I did not have the correct dilution fluid for the inks but persisted with making a colourchart. Substituting gin to extend the flow of the ink.

Gin may make creativity flow, in moderation,but it does nothing for ink, in moderation or excess. Despite urgently needing to get down to some real art,my colour charts amply filled my available free time.

Procrastination 1- Creativity 0

Procrastination does not only apply to creativity, as I write, this largely non-essential blog, another cupboard lays empty. Stuff taken out, but not yet sorted into keep or charity shop piles. Blog and colour charts the enemies of productivity!

Procrastination 1- Domestic Admin O

#242 theoldmortuary ponders

Another locally sourced colour square has been created today. This one is a corroded corner of a closed corner shop.

As I traverse the local streets it is very obvious that the time of day and weather conditions really affect the tiny colour snapshots that I take with my camera phone. The old corner shop catches the sun beautifully in the morning. The corner shop is fondly held in the heart of this community. When we moved here it was on the downward turn and did not immediately grab our attention and then just like that it was closed and then, not so long after, floral tributes and messages of condolence appeared. Rather incongruously a large sun hat with the words ‘ On Cloud Nine’ appeared.

Not having been part of a community that loses a much loved character and very popular shop there is a sense of dislocation and puzzlement at what we may have missed. Anecdotally I am aware that we missed a much loved shopkeeper called Ann. Everyone says what a wonderful person she was and what a hub of the community the shop was. There was definitely a sense that something locally important had been lost. The hat as an act of remembrance puzzled me. On Cloud Nine usually denotes someone who is extremely happy. Perhaps the hat was reflecting the character of the departed shopkeeper. Cloud nine is actually a very specific type of cloud. The etymology of Cloud Nine makes nothing clear.

Etymology

The origin of sense 1 (“a state of bliss”) is uncertain; however, the following etymology has been suggested:

The first edition of the International Cloud Atlas (1896),[1] which defined ten types of cloud, described the ninth type as the cumulonimbus which rises to 10 km (6.2 miles), the highest a cloud can be.[2]
Compare cloud seven (“state of complete happiness or euphoria”),[3] which may have originated from confusion of cloud nine with seventh heaven.[2]

Sense 2 (“a state of fantastic or impractical dreaming or thinking”) may be due to a confusion between sense 1 and the phrase head in the clouds.

So, on this occasion, pondering has made me none the wiser. A sun hat embroidered with the words ‘ on cloud nine’ is a very unusual object to place as an act of remembrance on the steps of a closed corner shop. I suspect it will always remain a mystery to me, but I will ponder it often when I walk past.

#238 theoldmortuary ponders

Finally, yesterday I was ready to ditch any form of wetsuit and just swim. Unencumbered by a lengthy dressing and undressing process. Summer has arrived in my swimming life. The day had been a collection of small domestic positives, admin and chores achieved and dog walks in the sun. One of my walks located some old friends, the white cows who normally sit on the green are having a rest and possibly a spruce up in one of the local secret gardens.

A small tin has also arrived. A reward to myself for selling a few pictures recently. The topics of the exhibitions I am entering later in the year need a more earthy feel than recent works, so I bought some earthy colour watercolours hand made from natural minerals in Pennsylvania just to start off my thinking process.

One of my evening swimming companions took a fabulous panoramic shot of Firestone Bay. The colours in my little tin would also work quite well if I attempted a sketch here one evening.