#835 theoldmortuary ponders.

Yesterday bought me face to face with a very old ponder. When I was 16, in rural Essex, I discovered the joy of gathering in a pub on a Friday night with my friends. For a natter and a catch-up, before we headed off to the giddy excitement of rural or semi-rural nightclubs or live music events at the local college. Alcohol was not involved because public transport didn’t exist much beyond 8pm. We gathered at a pub called the Green Man. Sometimes we discussed men,mostly the real-world sort but occasionally and without Google or a vast library of reference books we pondered where all the Green Women were.

© WhatPub

Yesterday I started singing, with a community choir, a contemporary collection of songs called The Green Man. Composed not five minutes from my current home and inspired by the same landscape that inspired my Green Androdgyny

I have spent an extremely  small percentage of my life pondering the folklore of the Green Man. Puzzled that the human face of the arrival of spring is male. Last year I created an androdgynous Green person for a Spring exhibition. I have been down a green- man -google- rabbit- hole researching the whole Green Man tradition and am both older and wiser and yet not wiser. If there is a female version of the green man she is less well known, has a more awkward name and not surprisingly has a more active role in creating Spring. Sheela Na Gig is represented as a woman with disproportionately large genitals. Almost essential given that in other portrayals she is actually giving birth to trees and bushes that already have a full compliment of leaves and fruit. Splayed branches out first. Deeply uncomfortable with a high risk of tears, either meaning of the words and probably both at the same time.

I will leave this ponder right here…

The singing was fun. I may concentrate on that.

#834 theoldmortuary

March the Ist rewarded the Bobbers with a great swim yesterday morning. The sun came up. The water was at 10 degrees and the air temperature was 5 degrees. Nothing significantly different from January and February. But swimming on the first day of meteorological Spring felt buzzy. We were buzzy. As a group we have completed our third winter of regular sea swimming. When we started a photo like this was unthinkable. Each separate household kept themselves about two meters apart and our swim was our half hour of permissible outdoor exercise during a Covid lockdown.  Our group of 12 to 14 swimmers stretched out on the promenade for almost 20 metres depending on who lived with whom. Even sticking to the rules there was always a small element of anxiety about our early bobbing sessions. That anxiety was heightened when we were approached by the police.  We shouldn’t have worried, the police were concerned for our safety.  There was a voyeur on the loose. Hidden in clear sight, or in his case enhanced clear sight. A man was taking his half hour exercise by cycling along the promenade in fluorescent clothing. Fitness was not his goal however. He sought stimulation of an entirely different sort. His gimlet eyes searched for the hidden curves of damp bottoms or boobs as swimmers struggled in or out of their clothes.

Another winter was marked by an Atlantic Seal called Spearmint who joined the swimmers of Firestone Bay rather too enthusiastically for her own good.

She swam with us so often she almost needed her own Bobbers sweatshirt.

Maybe that’s the reason this year’s winter swimming has felt, at times, like a chore.  The only memorable thinge is how much storms have negatively affected our Bobbing plans.

Winter 21/22 Year of the Perv

Winter 22/23 Year of the Seal

Winter 23/24 Year of the Storms

I painted Storm Agnes, the first one of the season. She really whipped into Firestone Bay with a malign fury. The others didn’t inspire me quite so much. No paintings.

Storm Agnes in Tranquility Bay. Private Collection © theoldmirtuary

No more winter swims for 9 months, how fabulous.

#833 theoldmortuary ponders.

Gelli print, direct print and watercolour.

Do you believe in fate/destiny?

March is here. My fate or destiny for the day is set. The first sea swim of the new month awaits. I have spent the week mistressing* a new printing technique. Gelli printing. My shoulders are tight from concentration and need the morning swim. I wouldn’t be in this tight time constraint with tight shoulders if I had used the last 18 months wisely. I hadn’t printed since Art School when I planned and curated a print exhibition in a local gallery.  In the summer of 2022. The printers I worked with were inspirational and I vowed to take up printing, to be well prepared when the next exhibition happened. I am rubbish at long deadlines. A sensible woman would have done printing courses. Not me! I did a watercolour course and fell back in love with the serendipity and subtlety of pigment in water. I do have a print course booked in two weeks, exactly one week before the exhibition. Meanwhile I am trying to invent a method that involves printing and watercolour. Madness.

This morning a swimming friend sent me the video at the end of the blog. Oh dear!!! My tight shoulders got an early work out as I chuckled and was appalled. I have used those smug phrases.

” I swim all year actually “

Even worse for me, in a distant life I moved from London to Brighton

” Well, Hove, actually” **

In other printing news, next year’s Christmas cards are with the printers. Last use of the C word until the other side of Autumn.

Happy St Davids Day, enjoy the vid.

* I like to rehabilitate the word ‘Mistress’ from its philandering connotations. I don’t need to master anything I am a woman trying to create a mistresspiece.

** ‘Hove actually’ is another, possibly smug, statement known to all who live or have lived on the South Coast.

theoldmortuary ponders.

Do you enjoy your job?

I’ve always enjoyed my jobs. The art one of the last few years does not bring with it a reliable income but that is the only downside. The job that brought a reliable income had a few more downsides. But both have been enriching experiences. Before my ‘proper’ job I worked from the age of 14-20 in a series of low paid, part-time jobs that could be fitted around education. Nostalgia and the elixir of youth make those jobs and time with minimal responsibility seem like the twinkly moments of employment. I fitted so much variety into those six years. Always at the bottom of the pile of employees, the ‘Saturday’ girls or boys got all the dreadful jobs on any day of the week.

Menial jobs were good for me. I find it easy to spot people who have never done minimum-wage jobs. Just as privileged people who have never been in that position can probably ‘spot’ me. Finding pleasure, and enjoyment, even in the tough, and at times gritty, low-paid jobs was a great lesson to learn.

#831 theoldmortuary ponders.

This morning I had to hunt for an old sketch to send to a friend. The easy solution was to look in my Paintings/Art file of digital images.

This file is 10 years old in 2024, I am hopeless at keeping this archive up to date. This morning I put the two most recent paintings into the file. I also had a little scroll through an imperfect record of my creative output of the last ten years.

Once again I have mentally promised myself to be more diligent with my archiving over the next 10 years.And for now I must be more diligent in actually producing some actual art. Less pondering, more art .

#830 theoldmortuary ponders

After days of rain we discovered this furry blockade in the hallway. The sun was up and no one would be leaving the house without the dogs. We needed bread and the dogs needed daylight without getting wet.

Lola had a route planned, appropriate provisions were bought.

And some comfy rocks were found for some winter basking.

A good start to the day and so far very minimal pondering. Just dogs, coffee and a view.

#829 theoldmortuary ponders.

9 years ago I was exhibiting at a private art gallery space. Brixton East, in Brixton. I was part of the hanging team and was lucky enough to be in the building before the artists delivered their work. The gallery was in a sympathetically restored furniture factory. For a blissful half hour it was just me and a young Hugo enjoying the texture of the old building.

All my favourite urban textures and contrasts were there, but also quirky placements of contemporary things.

And gentle reminders of the former use of the space. A poker-work chair seat pattern.

Borrowed light into a dark space.

Soon enough the space was full of the chatter of artists and later the art lovers poured in.

My painting in the gold spotlight. Momentarily I can say a proud moment. A fab moment in one of my favourite buildings.

But only a couple of years later I exhibited in the same space. I was not in the hanging team.  A classic contemporary artist joke occurred. My abstract art was hung upside down, the curator could not be persuaded to rehang it. Ordinarily I would not be too precious. Art being in the eye of the beholder and all that. But on this occasion, my art was painted on a door, the exhibition was about homelessness. The door handle would have been at knee level. A whole new level of artyfarty bollocks would have needed to be written to make that right. The art gods were not with me this second time in the building. One of my unframed pieces was stolen by a gallery/shoplifter. Everything is forgivable in a building that I love.

I am not normally someone that has frequent lottery winning fantasies but when the owner put this gorgeous space up for sale I would have done anything to be able to buy it. A lottery win would have been my only chance. But something lovely has happened. The building has been renamed and is now a beautiful wedding venue.

https://www.100barringtonroad.com/weddings24

Without pondering today I would never have researched and discovered that one of my favourite buildings has had a happy ending of its own. Without me winning the lottery. Something new to follow on Instagram. In a perfect @theoldmortuary world 100 Barrington would serve coffee and cake when not doing weddings, and in that imaginary world, a somewhat older Hugo would slouch under a chair and watch the world go by.

#828 theoldmortuary ponders.

This weekend has brought me a rich archive of Facebook time hop memories. Some of them were serendipitous. Yesterday we met some London friends at a country park and walked miles in mud and bright sunlight. 11 years ago they had sent us this message. 

Their family now has two dogs but everything else is as it was, we laughed all day.  Below is baby Hugo and baby Monty on the same day.

Another doggy memory features a baby Lola and our friend Steph.

Every picture tells a story, and the story of early 2016 is not one for an upbeat sunny blog. But there is so much love in and around this photo and we all needed it.

February wouldn’t be February if art wasn’t starting to wake up for the year.

The point of this Sunday ponder is to just enjoy these moments. Social Media isn’t for everyone but this weekend I have really enjoyed the reminiscences delivered to my phone over the last two days. The one below was a chilly family outing to Oxford Street.  The gorgeous piece of Street Art perked us right up on a rainy day.

https://mauroperucchetti.com/exhibitions/8-london-marble-arch-jelly-baby-sculptures-displayed-in-london-s-marble-arch/

Maybe the take away from these February memories is that there is always so much to look forward to with ten months of  possibilities to anticipate. Just like a tree waiting to grow leaves in the sunshine.

A little extra from yesterday. An accidental dam in floodwater.

#827 theoldmortuary ponders.

I am a mucky watercolour painter. I am also a procrastinator, so sometimes I see disaster as a lovely excuse for a tidy-up.  Yesterday afternoon I discovered something messy had occurred in my watercolour storage box. Despite needing to get on with a painting I set about resolving my disaster. Meanwhile, outside, my home city of Plymouth was dealing with a much more serious potential disaster.

BBC News – Plymouth WW2 bomb found in a garden, detonated at sea. Read link below.


https://www.bbc.co.uk/news/uk-england-devon-68385962

Not an everyday driving job. ©Cyberheritage

The outdoor potential disaster had given me a few daylight hours to start a new painting. All waterfront areas were closed to the public, and many local roads. No trains, busses or ferries. The perfect excuse.

Paints all tidied up. My models were arranged.

And I began the painstaking task of painting and printing a cup of mint tea resting on a bistro table, standing on a tiled floor.

I think there is a delicious irony in painting a cup of calming mint tea; while not 500 yards from my home a bomb weighing over 1,000 pounds or 500kg is being towed out to sea.

Daylight failed me, eventually and I have not managed to finish. Just the dregs of the tea have been painted into the cup. Two disasters resolved successfully.

One day later and the job is done.