#1368 theoldmortuary ponders.

Isolation 2020 ©theoldmortuary

What historical event fascinates you the most?

History in general fascinates me. In many ways it is the imperfection and biased recollection of facts and events that makes history all the more intriguing. Academia strives hard to nail down historical facts. While human memory throughout history differs in subtle and monumental ways. Humans involved or indeed uninvolved in historic events have an opinion on how or why something happened depending on their own prejudices or expectations.

Someone writes or records in some way their viewpoint on an occurrence and that becomes a fact which others might question. And then more research is done and another book/paper/ theory is let loose.

For this reason alone my choice of fascinating historical event is the Covid Pandemic. Because I experienced it first hand and that only 5 years down the line there is swirling abiguity about some of the facts and outcomes of the virus that stopped the world.

My earlier daily blog, Pandemic Ponderings, records the event as it impacted my small space in history. Do I remember things the way they actually were. Would reading them again surprise me?

200 years down the line on 2225 how will  the Covid Pandemic have altered the world?

On reflection my family and friends were relatively lucky and yet we experienced huge grief and sadness. The harm of that period lives on within each of us.

Almost every human in the world felt something similar and many were so much more badly damaged than us. How will all that unhappiness in a whole population have shifted the shape of our world for ever?

Out of bad experiences good things rise, different paths are taken. Enforced choices become the lived experience.

I am capable of swimming every day in the sea, with friends I would never have met had it not been for the Pandemic. I moved house to be next to the sea so swimming was easier and then a whole other, quite bonkers world opened up.

For a whole worldful of people to have a single event that changed them is unprecedented. 

It makes you think, doesn’t it.

#1367 theoldmortuary ponders.

Yesterday’s hunt for a particular sketch threw up a huge pile of unfinished paintings. Of course it did not throw up the piece I was looking for.But I found a missing stache of unused paper. The big summer tidy up was effective but not entirely logical. I had a good couple of hours weaving 2 Gelli prints together. They were prints one and two of an experimental seascape.

Not hugely interesting on their own they take a much more powerful stance as a woven collage.

I popped into a craft shop to collect some sepia ink. In a quiet corner someone had written.

“Stick it before you knock it”

A sensible woman, experimenting with paper weaving should have seen that for what it was.

There was knocking, of course there was, but knocking loosened up my weave, which actually improved things. But by then the dark evening was upon me and dogs needed walking.

Goodness I am a grumpy bitch about early dark evenings, but a very bright first quarter moon was out and about to improve my mood. Reflected in the tidal pool. Of course I took a picture.

Which I then superimposed over the woven prints.

Which at least gives me an idea for where this experiment can go. But for today I will be gluing like a demon.

Stick with me, blog friends!

#1366 theoldmortuary ponders.

Unknown to me until this morning the 29th of October has been an arty day often. Facebook memories reminded me of four exhibitions that I have taken part in.

Be the Flamingo in a flock of Pigeons.

Also 7 years ago I went to see Grayson Perry in Birmingham. A funny coincidence because I also went to see him 3 days ago in Truro.

Today was always going to be arty as I needed to hunt down a sketch that had been cleared away since the annual summer tidy up. Then I met a fellow artist while I was walking the dogs and we had a bit of an arty natter.

But the actual project of the day , finding the sketch has failed. Instead loads of colour exercises were dug out of files. The mess they created on the spare bed has shamed me into finding a way to use them up in collage and paper weaving projects.

29th of Artober, who knew?

#1365 theoldmortuary ponders.

View from the Studio window.

The first early darkness of GMT in the studio/work room. We have installed winter lights. 4 years in, living in this house, and the yard is where we want it to be. Even last year the yard did not spark joy when illuminated in winter but the curious weather of 2025 gave us an enormous growth spurt of our container and climbing plants from September until now. We picked a fresh strawberry yesterday and there are still tomatoes ripening.

The loss of natural light in the afternoon is sad but an urban jungle illuminated  by festoon lights is going to be something to look forward to as my afternoons get darker.

The upstairs room above the studio has a deep window seat, a fabulous place for reading books. Largely ignored in the winter it will become the favourite place it often is in Summer.

The window seat also has  really heavy curtains so it becomes like a glass walled hide-out.

Of course seeing our winter yard in the dark, gives a different perspective and already I have spotted a corner where another container tree  might find a home. A Mimosa perhaps?

All this and I didn’t even turn on the old mortuary neon light!

#1364 theoldmortuary ponders.

Describe a family member.

Picking one family member would be too tricky in a very small family. These 3 brightly coloured autumn leaves, resting on brown mushy ones, almost exactly represent my actual knowledge and ability to describe family members. The top-of-the-pile green and red autumn leaf represents the two genetic family members that I know best, my children. Whom I would only ever describe in the broadest of brush strokes,simply to save myself from being an embarrassing mother.They are both fabulous individuals who are making their way in the world as reliable and kind individuals. And have in turn created my grandchildren who already know me better than I ever knew my own grandparents.

I am the leaf in the middle in shades of yellow and orange and am not about to describe myself.

My parents are represented by the bottom of the pile leaf in shades of black and red. I probably knew my parents better than most people do, as I occupied their world as an only child, in a way that siblings would never do. My parents were hard working aspirational, working class people. During my childhood they floated into the middle class by becoming professional people, I don’t think they ever noticed or were bothered by such things. I took a powerful work ethic from my dad who would relax after his salaried work  by being a perfectionist D.I.Y er and carpenter. My mother worked as an administrator and occupied her spare time working voluntarily in our community. I have always been quite community minded.They were both talented creative people who really didn’t give enough time to follow their creative dreams. I suppose it is my similarity to them that makes me aware of just how well I did know them. But writing about either one to the exclusion of the other would make me rather sad.

Beyond them is the mush of brown autumn leaves. I did not know either set of grandparents well. My mum’s parents were running small businesses and my dads parents were remote. I was the only grandchild in their lifetime. Neither side were hugging type grandparents, or involved in playing or adventures. We just seemed to exist, occasionally, on the same orbit and as long as I was good and quiet with my head in a book then all was well. This is not the way of contemporary families, but although this description of a small family may seem joyless  there is much to be thankful for in a family that knew the value of hard work and were reliable, law abiding citizens. I am disappointed in myself that I was not interested enough as a young person to know any of my grandparents well enough to describe  even one of them  successfully .But I am not sure they were all that interested in me either.

So I have described a group of people who were my small family. Nothing flashy, nothing bad. Secure and loving in their own ways and an excellent foundation for whatever I have made of my own life.

#1363 theoldmortuary ponders.

Sunrise on my light fitting.

The sun rises on my light fitting. Our clocks have gone forward today. Sunrise was at 6:57 GMT, the day will be one of digital accuracy and analogue inaccuracy until we reset various clocks and timers. An hour either way is of no great consequence  to us. For one day the dogs are a little discombobulated about meal times, but as they mostly take their cues from us they will soon be back in sync. So today we are all living our best life in 25 hours instead of 24 and sunrise and sunset have shifted by an hour.

Sunset on Hugo’s face.

#1362 theoldmortuary ponders.

©Kim Bobber

Just 3 bobbers , braved a bouncy sea yesterday. 15 degrees in the water and 10 degrees out, made for an enjoyable swim but a very chilly chattering session afterwards. I was unintentionally glam having showered and washed my hair just before the bob.

Glam or not it is not every day that we get to swim with a submarine.

Some people travel thousands of miles to swim with dolphins. Swimming with submarines has less of a cache,  but in 2025 we have had both experiences in our little bay.

NRP Tridente

The Portuguese submarine was much easier to catch on camera. No need for arrows to point out the dark shape in this photograph.

#1361 theoldmortuary ponders.

Summer trousers hemmed.

Yesterday was a day of planned procrastination. Storm Benjamin was forecast and I needed small jobs on my schedule that could be done anytime so that I could do dry dog walks when there was not a deluge falling from the sky. As a plan it worked two long dog walks with just a jumper and no coat. Summer trousers hemmed, and the sewing machine put away. Two procrastinations dealt with in one go.

Storm Benjamin had taken himself slightly off course and had arrived, at his worst, about 8 hours earlier than anticipated.

He seemed not to have ruffled up the sea too much but there was still enough rainfall to make the day unpleasant and enough sun to make a rainbow.

If the end of a rainbow ever truly existed then this one would have delivered his crock of gold more or less into the tidal pool.

Tidal pool being cleaned.

Excellent planning by our local council as they had cleaned the pool the day before. All that fictional gold delivered into a nice clean receptacle. Too bad I was on the other side of the peninsular I might have been able to pocket a mythical golden doubloon at the end of the rainbow. Except, of course, that had I been there the rainbow would have been somewhere else entirely.

A day of dull procrastinations ticked off. There were numerous others, far too dull to waste words on Excellent walks and mythical gold delivered into a clean concrete  swimming pool. A low bar was both set and achieved for the day.

#1360 theoldmortuary ponders

Patination on a copper cauldron from HMS Coronation.

Quirky specialist museums are a bit of a guilty pleasure. It is not always the artifacts that interest me but the obsession and dedication of the human curators, collectors and conservators that gather, protect and display random objects with a common theme.

Often specialist museums are run by volunteers who are doing their absolute best with a small budget and limited professional input.

H.M.S Coronation at Penlee Point

In a fancy pants museum a cauldron, made in about 1660 and retrieved, by divers from the wreck of HMS Coronation would be on a plinth in a glass case. I would look at it in wonder at the beautiful abstract patterns created by nearly 400 years of wear and tear many of those years 5 metres under the sea just off Penlee Point. Not too far from home.

But in the Devonport Dockyard Museum the cauldron calmly rests on the floor with almost no signage or fanfare. Enabling me to cause absolutely no harm and take these gorgeous, to me, abstract photos of patination created entirely by coppersmiths who lived 400 years ago and the sea.

I was so thrilled  by the abstraction I completely forgot to take a photograph of the whole object!

I am going to have to go back…

#1359 theoldmortuary ponders

Autumn confetti.

Autumn confetti has no obvious connection to obsequious, but how could I possibly illustrate obsequious.

Obsequiousness makes my flesh creep. Yes, the act of being subjected to obsequious behaviour is uncomfortable but for me it is the physicality of the word. The minute it springs to mind something cold squeals down my spine like a bad chalk move on a blackboard or a dentist drill.

I had always thought the word was onomatopoeic  because of the involuntary physical shoulder hunching I feel when I hear it or even think about it.

I am absolutely fine with obsolete.

Obs-o-leet , not a shudder in sight . But the last three syllables of  Obs – ee-kwi-us have me wishing to climb 12 feet up a vertical glass wall.

How fabulous is it to be a person of no consequences and not suffer obsequience on a daily basis.

My small word rant is over. Back to Autumnal Confetti. No reason for either really.