Your last time in a darkroom.

I was driving over Dartmoor on Wednesday. This programme was on the radio. A fine example of serendipity. The artist featured in this broadcast is based on Dartmoor. I had never heard of Garry Fabian-Miller. Something I need to remedy, but for now his subject matter was what interested me.

https://www.bbc.co.uk/programmes/m000d70k

Garry Fabian- Miller creates images with a dark room but not cameras.

His days in the darkroom are numbered as the production of photographic developing chemistry is coming to an end.

He speaks movingly about leaving his darkroom.

Darkrooms are one of the casualties of the digital photography/imaging revolution.

I don’t remember the moment when I left a darkroom for the last time.

It’s madness that such a significant part of my professional life slipped away unnoticed and without a fitting farewell.

Medical darkrooms could be massive spaces serving many x-ray rooms with automatic processors or tiny cupboards with smelly tanks of developer and fixer for hand processing. Darkrooms have a strange life of 24 hours of darkness illuminated only with red lights. The similarity to nightclubs doesn’t stop there. Darkrooms are not unused to illicit liasons, or it has to be said, cockroaches. Either way it was always wise to clatter about a bit before entering a dark room, particularly at night or weekends. I rather wish I had taken the time to say goodbye.
Half an hours listening to the programme in the link is worthwhile even if darkroom nostalgia or art are not your thing. This is a gentle conversation about more than those two subjects.

Greyscale

Diagnostic imaging was my trade for many years. The majority of modalities in imaging produce pictures in black and white or more correctly in Grey scale. As an artist grey scale has always been my guide when judging my coloured work. A black and white photograph always lets me know if a painting has the balance I am hoping to achieve.

Cookworthy Knapp © theoldmortuary

In photography I often search out a monotone image in the real world.

Petersham Nurseries
https://petershamnurseries.com/

Hugo and Lola have been known to pose in locations that lend themselves to Black and White.

In this case at Dungeness, Britain’s only desert on the Kent coast.

The unusual environment lends itself to greyscale.

All round the coast of Britain, black and white somehow brings peace and silence to an image that could, with colour be garish or over ripe.

Wells-next-the-sea

Gigs at Saltash, Cornwall

Another monotone shot in real life colour.

Retaining walls at Samphire Hoe Country Park. An artificial land mass built from the extracted materials created by the tunneling for the Chanel Tunnel. A Nature Preserve.
http://www.samphirehoe.com/uk/visit-us/

And finally back to Radiography.

A cardiac angiogram of the left coronary artery, the basis of the pattern that heads this blog.

Left coronary artery