#680 theoldmortuary ponders

Autumn in an Arsenic Mine

Facebook Timehop keeps coming up with old friends. Not the human sort but artwork that I have entered into exhibitions and then sold. October is traditionally the beginning of my artistic hibernation. Last exhibitions have been entered and the unsold works return to the studio. My work is not particularly gift-worthy so unlike many artists my exhibiting season does not extend towards Christmas.

I have got into the habit of having an experimental phase for a few months from November until February and then I knuckle down to create some new pieces to replace those that have sold the previous year. This year has been a little different in that some large works that had been leased/ loaned to a company that had huge white walls, were returned to me when the company moved locations. The last one of these pieces was sold last week.

Deadheading

I miss paintings when they are gone. Just as dog breeders probably miss puppies.

The one below was given a high gloss resin coating so the farewell picture also features a self portrait of the artist. (Me)

Dive

As paintings are sold and others return the studio gets a bit of a reshuffle. I’m not entirely sure how a reshuffle differs from a tidy up but this year there is a distinct difference. The tidy up meant I completely lost two monoprints that have an interested buyer. The reshuffle of this week has found those monoprints and an original watercolour which I need to make some cards.

Nearly there trees.

One more original to find. Pumpkins also needs to be turned into cards but somewhere between the tidy up and the reshuffle he has gone missing. So missing that there is not even a photograph!

In contrast to these pictures my experiments are quite different and may never see an exhibition. Yesterday I painted Storm Agnes in Tranquility Bay. A slightly strange mix of reality and imagination, but that is the point of experimentation.

Storm Agnes in Tranquility Bay.

It does me good to reconnect with sold pieces of art. I had almost decided to stop painting bigger pieces as they are so difficult to store, but seeing these has galvanised me into future action on bigger canvases. They, at least, never go missing.

Pandemic Pondering #46

Even in the midst of this pandemic there is some great thoughts and conversations happening around how we will remember this period of our lives.

A smart phone has made diarists of us all. My phone is set deliberately to store all the pictures my family and friends send me. I delete some but most are kept as a personal archive.

This blog contains my pictures and ponderings shared to those who care to read it. Facebook and Instagram are more public. Instagram is the quickest, I think, to give a flavour of the times. I just scrolled through my Instagram grid to check out how 45 days of restricted living and Lockdown looked in picture form from @theoldmortuary.

This grid marks the end of normal life. The bottom 6 pictures are from the days running up to the official lockdown. The next row up shows a poster for a cancelled art exhibition and the offer of local help plus the all important hand washing picture.

The cancelled art exhibition poster also marked the beginning of Pandemic Ponderings.

The top row are images from early Ponderings. In private I was pondering on the madness of thinking I would find something to write about, every day, when life was so restricted.

This second grid shows a life of settling into Lockdown. The bottom row shows memories of foreign travel. A wet footprint on some decking in Hong Kong, it was so hot that image lasted less than 5 seconds as it dried off. The picture represents my first meeting with our adored granddaughter in 2018,We thought it was awful that she was thousands of miles away and our meeting with her was so brief. Then her mum and dad decided to move home. Just 50 miles between us and still we rely on phone calls to chart her progress.

The Pangolin pictures in the middle were an homage to the poor creatures caught in the middle of the controversial ‘Wet’ markets where this pandemic is said to have originated.

An image of coffee shows our early pangs of missing out on coffee shops and the bottle of Cuban rum marks the beginning of our cooking obsession.

This last grid shows us settled into Pandemic lockdown life. No longer worried about the subject matter of Ponderings I just natter on about any thing. There are two images that mark slight freedoms. The roots on the second row up were photographed when it was made clear that we could drive a small distance to take exercise and the cogs on the top row were photographed on our first trip to a proper independent coffee shop this Saturday. Yesterday, the very first picture on the grid above, there was of course, Cake.