#281 theoldmortuary ponders

My almost daily commute for three weeks is a ten minute walk from home. It covers the same paths that my normal daily dog walks take. Without the dogs, who are disinterested, for the most part, in a print exhibition, the familiar walk can be enhanced by taking a slightly different route. These stairs are just off my normally beaten path, but of no interest to the noses of my dogs.

Today was bin day and the big communal bins live in an old military building that has not yet been ‘improved’. The dogs would have loved to be with me as refuse bins and a hot summer day is a heady mix of flavours but I just nipped in to take this lovely old window in a grubby and unbuffed state.

Another love of mine is to see scarring on paintwork from regular use. Although that regular use stopped nearly 30 years ago.

And then there is the redundant heavy duty equipment with warnings , of limitations to men of my grandfathers generation.

Men for whom these numbers on doors had some significance.

I just love them as reminders of slightly archaic fonts.

I will leave you with two of my favourite doors.

One is an old storeroom and the other leads to a suite of artists studios. They are both at the end of the, currently empty, gallery space.

#280 theoldmortuary ponders

The exhibition today is in safe paws. Ralph is Stewarding this morning. Flushed with my experimentation on Yupo paper yesterday I whipped off a quick play on words this morning before I did the morning dog walk.

The morning dog walk was quite the sartorial revelation this morning. How many people really dress in the morning to match their local pavements/sidewalks!

Further on we sniffed out a fairy tale moment. A swimming Cinderella had dropped her golden slipper.

Its a been a busy morning so far.

#279 theoldmortuary ponders

These are the feet of a woman stewarding in a Grade 1 listed building. The floors and the walls are spectacular.

Celia Over, and her amazing prints.

We are in the second week of our three week run at Ocean Studios and the public response is very positive. Holding an art exhibition in a Grade 1 listed building is not without its challenges. We have had to design a whole new style of hanging system. We also needed to persuade the artists to allow us to hang their work unframed, just simply mounted. So many artists trusted us to treat their work with care and respect.

The artists were also hugely supportive of our £10 ‘ Off the peg’ feature.

Stewarding at exhibitions like this is the perfect opportunity to really take the time to enjoy other artists work. Today I had the pleasure of stewarding with Gilly Spottiswood and Celia Over, we were able to have a good old natter and share hugely interesting and informative tips and tricks associated with printing.

I was trying a new style of plastic coated paper, called Yupo. I painted mussels from memory. A painting that surely has named itself, Mussel Memory.

Gilly was giving Drypoint a try for the first time.

#278 theoldmortuary ponders

Covid and the effect on everyones lives continues. After 2 years of not visiting the Eden Project in Cornwall we have now been twice in a week. Once for a standard visit, to gather family together.

Although nothing at Eden is ever too ‘standard’

Our second visit was for a, three times, cancelled zip wire ride over the whole of the Eden site.

The experience was worth the wait and started just by the orange arrow.

And ended by the post marked with 1.

Long time readers of this daily blog will know it started out as Pandemic Ponderings. All that time of Pandemic Ponderings and now theoldmortuary ponders we looked on without this household actually getting Covid. Just like everyone we suffered some terrible losses caused by Covid but the experience taught us so much and forced many decisions that we will live with forever. Some of those decisions have brought positive outcomes. Our recent close acquaintance with Covid changed all our plans over the last few weeks, but even those changes, which we thought were disastrous have brought positives. The point of this closing ramble is, I suppose, that this week we were both, in Eden, and able to view it from an unusual perspective. The last few years have seen us all, in Covid, but soon enough we will be able to view it from a different perspective. Some of the changes forced on us may well turn out to be life enhancing.

#277 theoldmortuary ponders

©Fi Smart

Goodness me, spending time with art and artists is so rewarding. I have belonged to an art group for 4 years, most of that time I have been on the committee and most of that time has been in the time of Covid or post Covid restrictions. Zoom meetings, cancelled exhibitions and the over thinking of all things to comply with the latest restrictions and procedures has been the way all organisations have survived the last few years. For me this has given me a massive disconnect. Drawn to the Valley has roughly 160 members. For the most part their names are familiar to me, their faces and characters less so and often I am unfamiliar with their artwork too.

For the next couple of weeks I have the absolute pleasure of putting a name to a face and attatching a mental note of their style of artwork. I am overseeing the stewarding of Drawn to Print at Ocean Studios in the Royal William Yard, Plymouth.

COVID ruined my early involvement in setting up the exhibition but a deliciously negative test allowed me to attend the Private View on Thursday evening.

Two hours of mingling with artists and our guests on a beautiful summer evening with Champagne and the mellifluous sound of Seachanges. Two wonderfully talented musicians who came along to give the evening some glamour and sparkle.

At last an event like this is beginning to feel normal and comfortable again. People being comfortable in the company of one another. Which is why I chose the top image by Fi Smart, I know her name and we have exchanged emails, now I know some of her work and at some point in the next two weeks I am certain we will meet in person.

©Celia Over

I met Celia for the first time when she came to a Drawn to the Valley monthly meeting at Ocean Studios. Until this week I was completely unaware of her style of work. Her work is just a fantastic extension of her, she exuded calm and beauty when I met her and here that exact quality is, in a beautiful print.

Here is my last , for now, image with some mystery.

I met Charlotte Sainsbury for the first time whilst I was serving Champagne at the Private View. I have loved her work for ages but never would have known who she was. She introduced herself to me and my mouth immediately gushed ” Oh, I love your work”

Nothing cool or reserved about that comment but , in truth I always love whatever she exhibits.

© Charlotte Sainsbury.

More lovely prints to share on here over the next two weeks. You are all in for some lovely prints and stories from the exhibition.

#276 theoldmortuary ponders

You may remember that whilst we were bobbing during the winter months there was often an additional bobber who joined our chilly dippings. Her arrival at a bobbing session was cute but not good for her and we always cut short our swim and got out to not encourage her need for human company. Spearmint the seal was not on the bobbing Whatsapp group but she has an uncanny way of finding us.

By April things had very much got to an impasse. While most people respected her space, some did not and got far too close to her. Something she enjoyed and sought out, for the most part. Humans however are not as benign as a seal and often behaved stupidly and dangerously around her. In turn she got bolder and wandered casually into coastal villages seeking human company. In April the RSPCA decided on an intervention and removed her from Plymouth Sound and took her to a wildlife sanctuary. Since then things did not always go so well for her and at times her future seemed uncertain. Today though there was great news.

https://www.bbc.co.uk/news/uk-england-cornwall-62270075

The above link takes you to a news article about her release, yesterday, at an unknown location, away from humans. A story that has, thankfully, ended well for her.

#275 theoldmortuary ponders

And just like that, life returns to normal. Maybe in the three months leading up to July I would have thought that there would be a bit of a pinch point, late in July, when I would have a full commitment to family plans and a full commitment to running an exhibition, that had been in the pipe line for a long while. What I had not factored in was catching Covid. Two and a half years of avoiding the dreaded virus had given me a false sense of security. Exactly at my identified, life plan, pinch point, Mr Covid came calling, taking out three family members on the same day and one family member a week earlier. The two episodes cannot have been linked. But they reshaped our summer plans and added to the pinch point.

A Venn Diagram of my life.

The trouble with pinch points in life is that they look more dramatic when they are just abstract plans. Sometimes they look like a near impossible juggle. Juggling two balls certainly seems doable but throwing in the third ball seems foolhardy. As it happened life just flowed past the hurdle of Covid, our family replanned its plans. The Print Exhibition went beautifully to plan.

And here we are on the other side, bobbing in the sea and wondering what all the overthinking was about.

©Andy Bobber

#274 theoldmortuary ponders

It’s complicated having Covid. Such gratitude that our experience has been so mild because we are triple vaccinated and usually well. But there are dark thoughts too, so many people have died from this actual virus. Including one close work colleague. I think I may never get over seeing his coffin,alone, in a multi-story car park, near his local Mosque. How could such a fabulous character, full of laughs and smelling of Tom Ford fragrance be contained in such a box. Unthinkable. And yet I do think. Never in my life has being negative meant so much. I really am just joining in at the scrag end of this virus, for the last 28 months I have just watched it from a distance, protected by isolations and then vaccine. Science, technology and luck have got me here, face to face with a notorious and prolific killer. I am very lucky that all our family lost, were some plans. There will be other days for plans.

#273 theoldmortuary ponders

So whilst I am languishing about like an overcooked parsnip, being Covid Positive, in a record heatwave. The print exhibition that I have been planning for months went and made a success of itself without me. An amazing curatorial and hanging team set it all up on Monday.

They worked incredibly hard, all day, in the blistering heat.

Today was the first day of being open fully to the public. Stewarded by volunteers, there will always be someone on hand to chatter about all things print related.

Thursday evening, this week, the 21st of July, between 6pm and 8pm we are holding our Private View. There will be fizz and singing. Everyone who is able to attend is welcome to the Private View, or of course, any other time over the next 3 weeks.

#272 theoldmortuary ponders

What do you do when there are just three of you left in the familial Covid Positive Club and it is the hottest day ever in England?

You head for a cool, remote forest and splash about in the river.

We saw Kingfishers, Dragonflies and tiny silver sprinkles in the riverbed.

The forest was as empty as we expected.

For busier times there were some very specific signs.

By the time we got home our small companion was testing negative. The club just has two members now. Surrounded by our family all protected by freshly created antibodies. We hope to join the Antibody club very soon. But for now we enjoyed a very quiet forest.

Onwards with some hopes of negativity soon