#1214 theoldmortuary ponders

Starting with my palm tree I drew a simple sketch on watercolour paper.Then traced it and made a copy on more water colour paper.

Then I photographed the first painting as each colour was applied.

And finally made lines and cross hatch to improve the depth.

The second painting was much simpler and quicker. I just painted everything in its corresponding complimentary colour.

Then the fun of using all the techniques I have been practicing this month double and sometimes treble exposing photographs. But this time the photographs are of quickly rendered water colour paintings.

Two clear favourites emerged after an afternoon’s digital tinkering.

#2
#1

So much serendipity is built into these images. #1 narrowly wins because I love the sharp shadows that have been created by being off-registered. The image suggests a hot summers day.

#2 more perfectly aligned is like a different time of day.

I have two painting days scheduled for this week. I think the next one will be spent doing either a portrait or a nude. All that from a potted palm in February.

And saving the most exciting fact until last. The sunshine made its way into the studio for several hours today. That is certainly a sign of the ‘S’ word creeping up behind late winter.

#1213 theoldmortuary ponders.

Far too late in February I have realised that I usually enroll on a creative course of some sort. Three years ago it was a mindful watercolour course with Tansy Horgan which really shook up my way of working with colour.

https://tansyhargan.bigcartel.com/category/in-person-courses

At the time I was working at an art gallery showing an amazing exhibition called Songlines featuring the work of Indigenous   First Nation artists from Australia.

https://www.nma.gov.au/exhibitions/songlines-touring

©theoldmortuary

This was an abstract image inspired by my last day stewarding at the exhibition, created to express what I had learnt and felt about the experience of being submerged in the art of a significantly different culture.

I realised this morning that both learning mindful colour mixing with Tansy Horgan and being drenched in the colours and mark making of  Indiginous Australians has informed my recent hobby of digitally altering  deliberately dull and uninteresting photographs

So much so that I have not painted since Christmas.

I have had a painting project bubbling in my head for some time.

It’s too late now to register for a course in what is left of February. Time to get my bubbling project down on paper and resolve to be better organised next Winter.

©theoldmortuary

For now the Songlines painting combined with the rainy palm tree in my back yard.

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