
Facebook Timehop keeps coming up with old friends. Not the human sort but artwork that I have entered into exhibitions and then sold. October is traditionally the beginning of my artistic hibernation. Last exhibitions have been entered and the unsold works return to the studio. My work is not particularly gift-worthy so unlike many artists my exhibiting season does not extend towards Christmas.
I have got into the habit of having an experimental phase for a few months from November until February and then I knuckle down to create some new pieces to replace those that have sold the previous year. This year has been a little different in that some large works that had been leased/ loaned to a company that had huge white walls, were returned to me when the company moved locations. The last one of these pieces was sold last week.

I miss paintings when they are gone. Just as dog breeders probably miss puppies.
The one below was given a high gloss resin coating so the farewell picture also features a self portrait of the artist. (Me)

As paintings are sold and others return the studio gets a bit of a reshuffle. I’m not entirely sure how a reshuffle differs from a tidy up but this year there is a distinct difference. The tidy up meant I completely lost two monoprints that have an interested buyer. The reshuffle of this week has found those monoprints and an original watercolour which I need to make some cards.

One more original to find. Pumpkins also needs to be turned into cards but somewhere between the tidy up and the reshuffle he has gone missing. So missing that there is not even a photograph!
In contrast to these pictures my experiments are quite different and may never see an exhibition. Yesterday I painted Storm Agnes in Tranquility Bay. A slightly strange mix of reality and imagination, but that is the point of experimentation.

It does me good to reconnect with sold pieces of art. I had almost decided to stop painting bigger pieces as they are so difficult to store, but seeing these has galvanised me into future action on bigger canvases. They, at least, never go missing.

these are each so interesting in their own way –
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